Skip to main content
. 2023 May 31;14:1138922. doi: 10.3389/fpsyg.2023.1138922

Table 2.

Number of participants commenting on each theme of coping strategies in the questionnaire survey.

Theme Sub-theme Number (and percentage) of participants
P1 P2 P3 P4 P5 P1-P5
Mental strategies Positive thinking/self-talk 6 (15.8) 9 (23.7) 4 (10.5) 2 (5.3) 1 (2.6) 15 (39.5)
Concentration 1 (2.6) 3 (7.9) 6 (15.8) 3 (7.9) 0 (0.0) 12 (31.6)
Avoidance behaviors 1 (2.6) 1 (2.6) 1 (2.6) 1 (2.6) 0 (0.0) 4 (10.5)
Ritualized behaviors 0 (0.0) 0 (0.0) 2 (5.3) 0 (0.0) 0 (0.0) 2 (5.3)
Total 8 (21.1) 12 (31.6) 10 (26.3) 6 (15.8) 1 (2.6) 22 (57.9)
Physical strategies Breathing 0 (0.0) 8 (21.1) 5 (13.2) 1 (2.6) 0 (0.0) 14 (36.8)
Sleep/rest 4 (10.5) 2 (5.3) 0 (0.0) 1 (2.6) 4 (10.5) 7 (18.4)
Exercise 0 (0.0) 6 (15.8) 0 (0.0) 0 (0.0) 0 (0.0) 6 (15.8)
Wiping sweat 0 (0.0) 4 (10.5) 0 (0.0) 0 (0.0) 0 (0.0) 4 (10.5)
Keeping hands/body warm 0 (0.0) 4 (10.5) 0 (0.0) 0 (0.0) 0 (0.0) 4 (10.5)
Diet 2 (5.3) 1 (2.6) 0 (0.0) 0 (0.0) 1 (2.6) 4 (10.5)
General physical conditioning 0 (0.0) 1 (2.6) 0 (0.0) 0 (0.0) 1 (2.6) 2 (5.3)
Massage 1 (2.6) 0 (0.0) 0 (0.0) 0 (0.0) 0 (0.0) 1 (2.6)
Body posture 0 (0.0) 0 (0.0) 1 (2.6) 0 (0.0) 0 (0.0) 1 (2.6)
Total 4 (10.5) 19 (50.0) 6 (15.8) 2 (5.3) 5 (13.2) 24 (63.2)
Performance strategies Content of practice 15 (39.5) 11 (28.9) 0 (0.0) 5 (13.2) 13 (34.2) 24 (63.2)
Amount of practice 11 (28.9) 3 (7.9) 0 (0.0) 0 (0.0) 2 (5.3) 15 (39.5)
Performing techniques 0 (0.0) 0 (0.0) 10 (26.3) 0 (0.0) 0 (0.0) 10 (26.3)
Mental rehearsal 2 (5.3) 2 (5.3) 0 (0.0) 0 (0.0) 0 (0.0) 4 (10.5)
Total 26 (68.4) 15 (39.5) 10 (26.3) 5 (13.2) 15 (39.5) 35 (92.1)

The values in parentheses show the percentages of participants within the present sample. The bold “Total” values indicate the numbers (and percentages) of participants commenting on at least one of the sub-themes for each theme. The bold “P1-P5” values indicate the numbers (and percentages) of participants commenting for at least one of the time periods. P1, time period 1 (from the beginning of the preparation for a public performance until the day before the performance); P2, time period 2 (from the morning of the performance day until shortly before going onstage); P3, time period 3 (during the public performance); P4, time period 4 (from shortly after going offstage until the end of the performance day); P5, time period 5 (from the next day of the performance until shortly before the next public performance).