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. 2023 Jun 16;14:3600. doi: 10.1038/s41467-023-39308-5

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© The Author(s) 2023

Open Access This article is licensed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.

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Fig. 5 — The X-axis shows the sequential position of each song within a song-type bout. In this case, the first 15 repetitions are shown, matching the analysis of change in vocal consistency within song-type bout in male dawn song. The Y-axis shows the proportion of playback songs with at least one female vocalisation, out of all songs played per trial in that position. Each point represents the mean ± SE female vocal response per song position across all trials, summarizing the response of 13 females to 34 song-type bouts preceded by silence (in red) and 60 song-type bouts preceded by a song type switch (in blue). The lines show the predicted values for female vocal response derived from the model, with the associated 95% confidence intervals in shaded area. The decrease in response as the song is repeated indicates behavioural habituation of the females while the switch in song type elicited dishabituation. The data included song type switches between ten different song types across trials and in all possible directions, i.e., from song type A to song type B but also from song type B to song type A. Source data are provided in Supplementary Data 2.