Table 2.
Temporal predictability in a wider context – Musical dimensions and the reported experience.
|
| ||||||||
|---|---|---|---|---|---|---|---|---|
| A. VALENCE | ||||||||
|
| ||||||||
| GLASS (n = 36) | LIGETI, RIC. 1 (n = 37) | LIGETI, RIC. 2 (n = 37) | MUSSORGSKY, PART 1 (n = 34) | |||||
|
|
|
|
|
|||||
| MEAN B(SE) | p-VALUE (BOOTSTRAP) | MEAN B(SE) | p-VALUE (BOOTSTRAP) | MEAN B(SE) | p-VALUE (BOOTSTRAP) | MEAN B(SE) | p-VALUE (BOOTSTRAP) | |
|
| ||||||||
| Loudness/ timbre | –0.026 (0.012) | p = 0.038 | –0.038 (0.018) | p = 0.02 | –0.032 (0.009) | p < 0.001 | –0.055 (0.015) | p < 0.001 |
|
| ||||||||
| Pitch | –0.008 (0.006) | p = 0.28 | –0.015 (0.008) | p = 0.05 | –0.002 (0.012) | p = 0.8 | 0.022 (0.01) | p = 0.04 |
|
| ||||||||
| Tempo | –0.017 (0.012) | p = 0.17 | –0.046 (0.018) | p = 0.006 | –0.021 (0.012) | p = 0.09 | –0.051 (0.015) | p < 0.001 |
|
| ||||||||
| Attack Slope | –0.003 (0.006) | p = 0.67 | 0.031 (0.011) | p = 0.02 | 0.02 (0.01) | p = 0.05 | 0.001 (0.006) | p = 0.88 |
|
| ||||||||
| Spectral Spread | 0.072 (0.012) | p < 0.001 | –0.025 (0.01) | p = 0.006 | –0.008 (0.003) | p = 0.06 | 0.001 (0.005) | p = 0.87 |
|
| ||||||||
| Spectral Irregularity | 0.022 (0.004) | p < 0.001 | 0.027 (0.007) | p = 0.02 | –0.009 (0.004) | p = 0.054 | –0.009 (0.005) | p = 0.05 |
|
| ||||||||
| Key | 0.012 (0.004) | p = 0.02 | 0.046 (0.019) | p = 0.006 | –0.003 (0.003) | p = 0.38 | –0.012 (0.002) | p < 0.002 |
|
| ||||||||
| Musical Surprises | 0.011 (0.003) | p = 0.002 | 0.003 (0.004) | p = 0.38 | 0.007 (0.003) | p = 0.07 | 0.002 (0.005) | p = 0.66 |
|
| ||||||||
| Inter-subject-tapping-coherence | 0.037 (0.007) | p < 0.0001 | 0.034 (0.012) | p = 0.003 | 0.021 (0.009) | p = 0.01 | 0.019 (0.005) | p < 0.001 |
|
| ||||||||
| B. AROUSAL | ||||||||
|
| ||||||||
| GLASS (n = 36) | LIGETI, RIC. 1 (n = 37) | LIGETI, RIC. 2 (n = 37) | MUSSORGSKY, PART 1 (n = 34) | |||||
|
|
|
|
|
|||||
| MEAN B (SE) | p-VALUE (BOOTSTRAP) | MEAN B (SE) | p-VALUE (BOOTSTRAP) | MEAN B (SE) | p-VALUE (BOOTSTRAP) | MEAN B (SE) | p-VALUE (BOOTSTRAP) | |
|
| ||||||||
| Loudness/ timbre | 0.119 (0.016) | p < 0.001 | 0.111 (0.015) | p < 0.001 | 0.076 (0.01) | p < 0.001 | 0.122 (0.015) | p < 0.001 |
|
| ||||||||
| Pitch | 0.04 (0.009) | p < 0.001 | 0.03 (0.01) | p < 0.001 | 0.046 (0.012) | p < 0.001 | 0.017 (0.01) | p = 0.094 |
|
| ||||||||
| Tempo | 0.082 (0.015) | p < 0.001 | 0.105 (0.011) | p < 0.001 | 0.113 (0.017) | p < 0.001 | 0.098 (0.014) | p < 0.001 |
|
| ||||||||
| Attack Slope | 0.006 (0.006) | p = 0.48 | 0.002 (0.007) | p = 0.82 | –0.014 (0.011) | p = 0.26 | –0.007 (0.003) | p = 0.17 |
|
| ||||||||
| Spectral Spread | –0.022 (0.01) | p = 0.023 | –0.019 (0.007) | p = 0.02 | 0.013 (0.003) | p = 0.013 | –0.027 (0.006) | p < 0.001 |
|
| ||||||||
| Spectral Irregularity | –0.005 (0.004) | p = 0.25 | 0 (0.008) | p = 0.99 | –0.009 (0.006) | p = 0.15 | –0.011 (0.005) | p = 0.02 |
|
| ||||||||
| Key | 0.011 (0.004) | p = 0.07 | 0.034 (0.013) | p = 0.01 | 0.016 (0.004) | p = 0.0001 | 0.011 (0.003) | p = 0.002 |
|
| ||||||||
| Musical Surprises | 0.005 (0.003) | p = 0.25 | 0.008 (0.002) | p = 0.026 | 0.003 (0.003) | p = 0.51 | 0.003 (0.004) | p = 0.49 |
|
| ||||||||
| Inter-subject-tapping-coherence | 0.001 (0.008) | p = 0.97 | –0.009 (0.009) | p = 0.41 | 0.016 (0.01) | p = 0.11 | 0 (0.005) | p = 0.96 |
|
| ||||||||
Note A: Averages of regression coefficients for the nine musical dimensions ±1 SEM for explaining continuous valence ratings are depicted per index of reported experience along with the level of statistical significance. Effects reaching statistical significance of p < .05 after False Discovery Rate correction for multiple comparisons are highlighted in light grey. Musical factors that show consistent effects across sections are highlighted in dark grey.
Note B: Averages of regression coefficients for the nine musical dimensions ±1 SEM for explaining continuous arousal ratings are depicted per index of reported experience along with the level of statistical significance. Effects reaching statistical significance of p < .05 after False Discovery Rate correction for multiple comparisons are highlighted in light grey. Musical factors that show consistent effects across sections are highlighted in dark grey.