Table 2.
Distribution of foveal interest areas (FIAs) with and without audio markers across the artworks and complex images that were shown under the three different viewing conditions: contextual information, External perspective, and internal perspective.
Viewing condition | Image | Animate FIAs with audio marker | Inanimate FIAs with audio marker | Animate FIAs without audio marker | Inanimate FIAs without audio marker |
---|---|---|---|---|---|
Contextual information | 1 | 6 | 0 | 4 | 2 |
Contextual information | 3 | 4 | 0 | 3 | 9 |
Contextual information | 4 | 1 | 0 | 5 | 12 |
Contextual Information | 7 | 2 | 1 | 10 | 5 |
Contextual information | 9 | 0 | 7 | 0 | 2 |
Contextual information | 11 | 2 | 3 | 0 | 2 |
Contextual information | 13 | 10 | 0 | 1 | 0 |
Contextual information | 15 | 2 | 0 | 3 | 9 |
Contextual information | 17 | 1 | 4 | 0 | 11 |
Contextual information | 19 | 1 | 0 | 0 | 10 |
Contextual information | Average | 29 | 15 | 26 | 62 |
External perspective | 2 | 0 | 1 | 9 | 3 |
External perspective | 5 | 2 | 2 | 1 | 2 |
External perspective | 6 | 0 | 2 | 3 | 4 |
External perspective | 8 | 1 | 0 | 7 | 6 |
External perspective | 10 | 5 | 0 | 0 | 9 |
External Perspective | 12 | 1 | 0 | 7 | 13 |
External perspective | 14 | 0 | 1 | 0 | 22 |
External perspective | 16 | 0 | 1 | 0 | 4 |
External Perspective | 18 | 2 | 1 | 9 | 8 |
External perspective | 20 | 0 | 2 | 7 | 5 |
External perspective | Average | 11 | 10 | 43 | 76 |
Internal perspective | 21 | 0 | 0 | 5 | 12 |
Internal perspective | 22 | 0 | 0 | 6 | 6 |
Internal perspective | 23 | 0 | 0 | 4 | 2 |
Internal perspective | 24 | 0 | 0 | 3 | 2 |
Internal perspective | 25 | 0 | 0 | 2 | 8 |
Internal perspective | 26 | 0 | 0 | 2 | 8 |
Internal perspective | 27 | 0 | 0 | 4 | 15 |
Internal perspective | 28 | 0 | 0 | 7 | 5 |
Internal perspective | 29 | 0 | 0 | 12 | 9 |
Internal perspective | 30 | 0 | 0 | 5 | 8 |
Internal perspective | Average | 0 | 0 | 50 | 75 |