Pitch and pitch intervals (CI, n = 79) (HA, n = 2) (HL, n = 6) |
How high or low a sound is – the frequency Space between two notes. A semitone the distance between a note and its nearest note (in Western music) |
Identify which note is higher or lower
Pitch direction – up or down
Pitch changes played on an instrument or through a computer
Pure-tone stimulation (e.g., in a hearing test)
CI simulations for TH people compared with CI hearing
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HAs programmed for speech often cause distortion, which can affect pitches (Fulford et al., 2011)
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Pitch is very difficult to identify for most CI users and accuracy is significantly different than among the TH. This may be because of the following reasons:
technology is limited (Frosolini et al., 2022).
there may be damage to the hearing pathways, particularly for aged people (Frederigue-Lopes et al., 2015; Gu et al., 2017).
pitch identification is varied (Alexander et al., 2011; Buyens et al., 2018; Drennan et al., 2015; Gfeller et al., 2007; Gu et al., 2017; Jiam et al., 2019; Jung et al., 2010; Maarefvand et al., 2013; Nimmons et al., 2008)
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If pitches can no longer be heard correctly:
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Melody and melodic contour (CI, n = 75) (HA, n = 2) (HL, n = 5) |
Familiar songs Unfamiliar songs |
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Melody identification for CI users was difficult (Leek et al., 2008; Meehan et al., 2017; Nimmons et al., 2008; Spitzer et al., 2021).
Melody is best recognized by CI users when it uses high frequencies (Singh et al., 2009).
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Melodic harmony (CI, n = 17) (HA, n = 1) |
Simultaneous notes, played or sung together |
Recognition of the harmonic characteristics – identifying different notes, or voices |
Harmony is difficult for CI users to appreciate (Grasmeder & Lutman, 2006).
Current technology cannot render harmony accurately (Gfeller et al., 2005; 2019).
Harmony and dynamics are important for enjoyment and emotion (Camarena et al., 2021; Gu et al., 2017).
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Timbre (CI, n = 63) (HA, n = 1) (HL, n = 4) |
What makes voices or instruments different from each other |
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Timbre is important for segregating sound in multi-instrument contexts (Galvin et al., 2008).
Music often becomes unpleasant noise. CI users have difficulty with timbre perception (Alexander et al., 2011)
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Instruments (CI, n = 72) (HA, n = 2) (HL, n = 1 |
Piano, guitar, flute, trumpet, etc. |
Recognition of a solo instrument |
Instruments within the same family (e.g. a violin or cello; trumpet or trombone) were often difficult to identify (Galvin et al., 2008).
Decay of an instrument (the time the vibrations can be heard) are shortened with a CI (Grasmeder & Lutman, 2006)
Music from lots of instruments just sounds like noise (Gfeller et al., 2019)
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Rhythm (CI, n = 57) (HA, n = 1) (HL, n = 1) |
Beat, time (meter) of music |
Recognition of a rhythm, melodies played with different rhythms |
Rhythm is reported as the characteristic CI users can best identify (Cooper et al., 2008; Jung et al., 2010; Lassaletta et al., 2008a; Magele et al., 2022).
Rhythm helps identify melodies (Peterson & Bergeson, 2015)
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