Table 7.
Core issues in cross-cultural dance education research.
Research theme | Research theme |
---|---|
Cultural heritage and identity | Several studies explore how dance education promotes cultural heritage and identity, such as the teaching of classical South Indian dance in the U.S. (A1); the role of traditional ethnic dance in intercultural communication among elementary school students (A5) |
Cross-cultural exchange and integration | Many studies focus on the role of dance education in cross-cultural exchange, such as the impact of contact improvisation courses on multi-ethnic identity (A3); the cross-cultural significance of Ugandan dance (A9) |
Teaching methods and educational reform | Several topics discuss specific teaching methods and the necessity of educational reform, such as the pedagogical method of integrating recreational culture (A7); teaching experiences of East Asian dance/movement therapy educators (A8); the introduction of specific writing practices in cross-cultural dance (A11) |
Social context and power structures | Some studies examine the influence of social context and power structures on dance education, such as power dynamics in Rihab’s choreography choices (A4); cultural transfer in Canadian diaspora sports dance studios (A6) |
Criticality and reflection | Critical research and reflection are important research directions, such as exploring racialized orientations using critical phenomenology (A2); revealing cross-cultural significance through the reflections of student performers (A10) |
Impact of globalization | The impact of globalization on dance education is also a significant topic, such as the role of art education systems in globalization (A13); exploring the teaching philosophies of Finnish cross-cultural dance teachers (A12) |
* References corresponding to A1–A13 can be found in Appendix D.