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. Author manuscript; available in PMC: 2010 Feb 26.
Published in final edited form as: Atten Percept Psychophys. 2010 Feb;72(2):470–480. doi: 10.3758/APP.72.2.470

Figure 5.

Figure 5

Results from 15 listeners in Experiment 2, using the same notation and symbols as used in Figure 4. (A) Proportion “saxophone” responses as a function of target stimulus. Steps along the abscissa correspond to the series of target sounds, with 1 corresponding to the French horn endpoint and 6 to the tenor saxophone endpoint. Standard error bars are depicted for each of the 18 trial types. (B) Mean 50% crossovers for each context condition, using the same formatting as Figure 4B. Error bars denote standard errors of the means. *p < .05.