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. 2010 Oct 26;5(10):e13645. doi: 10.1371/journal.pone.0013645

Figure 3. Repetition enhancement of the melody.

Figure 3

(A) Across all notes, the frequency-following response to the second harmonic (H2) was larger during the second half of the recording session (red) compared to the first half (black). (B) White boxes bracket H2 for Notes 1–4 in the response spectrogram of a representative subject (averaged across all trials).