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. 2013 Sep 6;7:531. doi: 10.3389/fnhum.2013.00531

Table 2.

Error rates for controls and relatives across each percentage level difference in pitch, amplitude, and duration on the tone discrimination task.

Percentage level (%) Controls Relatives
M SD M SD F p D OP
PITCH
Same 4.75 4.12 6.53 8.56 2.54 0.118 −0.26 0.26
2 15.36 17.63 19.96 13.51 3.21 0.080 −0.29 0.27
5 9.58 15.85 10.15 12.91 0.09 0.768 −0.04 0.07
10 7.94 14.25 8.77 13.17 0.00 0.972 −0.06 0.08
25 1.04 2.59 0.44 1.31 1.30 0.261 0.29 0.27
50 0.14 0.80 0.00 0.00 1.02 0.318 0.25 0.22
AMPLITUDE
Same 8.79 10.41 6.88 7.20 1.21 0.276 0.21 0.22
2 50.30 18.35 62.30 17.84 4.56 0.038 −0.66 0.75
5 38.33 17.80 49.78 16.13 5.00 0.030 −0.67 0.77
10 28.33 18.65 41.89 20.95 5.49 0.024 −0.68 0.78
25 12.04 12.93 24.06 26.21 3.96 0.053 −0.58 0.66
50 2.53 3.98 5.7 12.05 0.12 0.733 −0.35 0.34
DURATION
Same 8.18 7.65 3.51 6.10 2.79 0.102 0.67 0.77
2 47.10 19.14 56.58 17.25 1.86 0.180 −0.52 0.58
5 50.22 15.05 60.53 12.53 3.92 0.054 −0.74 0.84
10 56.32 18.72 66.88 19.62 1.21 0.278 −0.55 0.62
25 17.26 16.89 27.85 20.51 4.33 0.043 −0.56 0.63
50 5.51 10.46 5.70 10.96 0.29 0.595 −0.02 0.06

The analyses for this data were performed on log-transformed error-rates and controlled for age. The figures presented here are the untransformed error-rates to aid in interpretation. Bold numbers indicate that relatives made significantly more errors in identification of different tones than controls.

OP, observed power.