Composition |
Observes accurately the arrangement of figures/objects without missing any one; comments on the way they relate to each other; uses effective descriptive language |
Observes and describes the general arrangement of objects/figures, focusing on the largest without noting detail |
Makes general observations about the figures/objects in the scene without much description or commentary on their relationships |
Space and setting |
Describes accurately the space that the figures/objects occupy, including the use of perspective; finds the most appropriate words to describe it; identifies the setting and discusses the spatial division, i.e., mentions fore-, middle, and background of the work |
Identifies the setting, makes general comments about the work's spatial characteristics; uses appropriate words; does not note the use of perspective or the spatial division of the pictorial field |
Identifies the setting but does not account for any of the spatial characteristics; no attempt at finding accurate language |
Scale and viewpoint |
Describes accurately the scale and point of view (viewer's position vis-à-vis the image); finds the most appropriate words to use in the description; comments on any distortions |
Exhibits awareness of the scale of figures/objects and the viewpoint and their importance, but mentions them in an indirect way |
Shows some recognition of scale and viewpoint; refers to one or the other in vague terms |
Colors |
Observes keenly the use of colors and where they appear in the pictorial field; uses adjectives that precisely describe the colors; comments on the repetition of certain colors or their intensity/saturation; comments on any unnaturalistic use of color; possibly notes handling of paint |
Recognizes and describes the colors with brief mention of some of the following: repetition, different shades, saturation, unnaturalistic use, paint handling |
Mentions only the most prominent colors and what/where they describe; no mention of repetition, shades, etc. |
Lines and shapes |
Observes the use of (different kinds of) line (and outlines) and comments on the shapes in general (geometric, organic, etc.); comments on how shapes are constructed, whether through line or color (brushstroke, staining) and their overall effect |
Comments on the type(s) of shapes in the work and the overall effect they produce; some recognition of lines and outlines |
Basic description of shapes with little or no commentary on line |
Light and light source |
Notes the source (and direction) of illumination, including the play of light and dark it produces; comments on how lighting affects (shadows, light-dark contrast) the picture and whether it is (or is not) realistic |
Comments on light source or overall quality of light; notes the effect that light is producing |
Recognizes the general quality of light or mentions light in regard to a particular time of day |
Main theme or event correctly identified, artist's choices analyzed, offering an interpretation |
Identifies correctly what is happening in the image (or points out the absence of any action); analyzes the meaning that all visual components advance together as a whole and offers personal interpretation/take on the scene |
Identifies the scene, but in vague terms, and offers an interpretation only loosely based on the visual evidence without much justification for said interpretation |
Only partially (or not at all) identifies the scene and with only a rudimentary interpretation (or none) |