Table 1.
Course description | Instructors | Use of class time | Sample course material +/− writing prompt | Hour/week |
---|---|---|---|---|
Close reading of contemporary fiction novels | R.C. (internist and literary critic) | Close reading and discussion of novels | “So long, see you tomorrow” by William Maxwell | 2 |
Affective dimensions of practice as experienced by patients and providers | J.A. (psychiatrist) | Discussion of assigned readings, reflective writing exercise and small group discussion of clinical work/writing | “The Ship of Death” by Lawrence Writing exercise: the doctors fear and the patient's fear | 2 |
Fiction writing workshop | N.H. (novelist and writing teacher) W.M. (M.F.A. candidate) |
Workshop method for discussion of two student creative writing assignments; discussion of assigned readings | “Everything that Rises Must Converge” by Flannery O'Connor “The Beginnings of Grief” by Adam Haslett Personal creative writing submissions |
4 |
Reflections on critical junctures in the formation of the doctor-self | S.A. (ob/gyn) K.S. (trauma-focused psychotherapist) |
Close reading and discussion of assigned and in-class readings, 3–5 min reflective writing to a prompt followed by discussion of writing/clinical work | Excerpts from “The Wounded Storyteller” by Arthur Frank with request to write reflectively on different illness narratives participants had witnessed; excerpts from “The things we carried” by Tim O'Brien with writing prompt: “How to tell a true medical story” | 2 |