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. 2014 Oct 21;8:812. doi: 10.3389/fnhum.2014.00812

FIGURE 2.

FIGURE 2

Brigel Gjoka (left) and Riley Watts (right) during a rehearsal of Duo in Dresden in 2012. According to Watts, the picture captures “a moment of ‘contrapuntal’ surprise.” “Brigel decides to deviate and to not go to the floor as we’ve learned choreographically, and as I chose to do. When I am looking at him in the photo it is just after I have realized that he has done something ‘surprising’ and I am waiting to see how we will ‘reconnect’ after this moment of separation from the material. It has the expectation of unison that does not become fulfilled and is right before the moment where we re-entrain with the material. You can see by our right elbows that we are still in the same place choreographically.” Photograph by Dominik Mentzos.