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. 2015 Dec 28;6(6):2041669515622001. doi: 10.1177/2041669515622001

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© The Author(s) 2015

This article is distributed under the terms of the Creative Commons Attribution 3.0 License (http://www.creativecommons.org/licenses/by/3.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).

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Figure 1. — Results of participants’ soundtrack-taste matching organized by each taste that the soundtracks were designed to evoke in Experiment 1. The chart reveals the distribution of participants’ choice of taste matches for each soundtrack, with a total of 100 responses for each soundtrack. Soundtracks with nonrandom distributions of taste ratings (i.e., participants are not just matching tastes by chance) are shown with asterisks (p < .05); out of these, the soundtracks where the most chosen taste was also the taste intended by the composer are shown by larger asterisks.