Figure 1.

Acoustic coordinated reset neuromodulation: the spatiotemporal organization of stimuli (23). The figure shows how stimuli are comprised by four different tones (triangles) gathered around the dominant tinnitus pitch in a randomized sequence during three cycles, followed by two silent cycles in a 3:2 ON–OFF pattern, to ideally enhance the desynchronizing effect (20, 24). Adapted from Chittka and Brockmann (25), with permission from Tass et al.