Table 3.
Correct answers among teachers and students for each of the seven neuromyths and seven scientifically substantiated theses (M = myth, S = scientifically substantiated).
| Thesis ID | Correct answers (%) | ||
|---|---|---|---|
| Teachers | Students | ||
| NEUROMYTHS | |||
| 4M | Certain music genres require special ways of listening attitude. For classical music, only an intellectual listening style is appropriate. | 96.7 | 90.4 |
| 1M | Excellent classical musicians are on average more intelligent than non-musical graduates of a university program. | 75.8 | 80.8 |
| 3M | Those who listen passively to classical music during certain learning phases have advantages over those who do not listen passively to music. | 68.1 | 64.8 |
| 2M | Music education improves one's performance in calculus significantly. | 62.6 | 51.2 |
| 5M | Right-handers process speech in the left hemisphere of their brains and music in the right. | 39.6 | 62.4 |
| 7M | The ability to improvise on the piano is controlled by the right hemisphere. Special exercises can enhance the performance of this hemisphere. | 44.0 | 40.8 |
| 6M | Cognitive abilities, e.g., intelligence in children, can be effectively enhanced by music education. | 29.7 | 24.8 |
| SCIENTIFICALLY SUBSTANTIATED THESES | |||
| 8S | Musicians show a strong neurophysiological “coupling” between hearing and motor movement. This link was developed by intensive training. | 79.1 | 87.2 |
| 12S | The anatomic structure of the brain changes through intensive practice of an instrument. | 81.3 | 79.2 |
| 13S | Music education can enhance language skills. | 82.4 | 76.0 |
| 11S | Musicians can process music faster, more precisely and more efficiently than non-musicians. | 81.3 | 74.4 |
| 10S | Although not hearing-impaired, some people cannot understand tones, melodies and rhythms. | 72.5 | 80.8 |
| 14S | The processing of auditory information is trained by music listening. | 73.6 | 78.4 |
| 9S | The influence of passive listening to music during nonmusical activities depends, for example, on a person's degree of musical sophistication, the emotional effect and the character of the music. | 62.6 | 68.0 |