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. 2017 May 22;8:824. doi: 10.3389/fpsyg.2017.00824

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Copyright © 2017 van der Weij, Pearce and Honing.

This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

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The full set of rhythms interpreted as non-anacrustic 3/4 rhythm by a model with a 3/4 inferential bias and a non-anacrustic 6/8 rhythm by a model with a 6/8 inferential bias. Each rhythm is shown in dot notation between a compound 6/8 metrical grid (above) and a 3/4 simple metrical grid (below). The gray bars highlight onsets that fall on beats with different theoretical saliencies in both interpretations. Score transcriptions of the rhythms in 6/8 and 3/4 are shown above and below the grids.