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. 2018 Feb 22;8(2):28. doi: 10.3390/bs8020028

Table 1.

Overview of Efficacy Studies on Stress Prevention and Stress Management with Creative Arts Interventions.

Study (Author/Year) Level of Evidence Object of Investigation N/Sample Design Intervention Methods Exemplary Results
Data Collection Analysis
ART THERAPY
Abbott et al. (2013) [42] Ib Effect of an artistic action vs. art reception on the stress level 52
Students,
34f/18m,
M = 22.7 years
2 × 2 factorial, randomized, controlled Active & passive artistic condition: painting/drawing vs. viewing art; active/passive non-artistic condition: puzzle vs. viewing the puzzle pictures;
1 single interven-tion
Stress:
Mental Arithmetic Task; Stress Induction Task, Stress Adjective Checklist; Creative Personality Scale; Subjective Stress Scale
Multifactorial Analysis of Covariance (MANCOVA) Stress reduction sig. higher in the group allocated to active artistic condition.
F(2, 44) = 3.45, p < 0.05
Curl (2008) [43] Ib Short-term stress reduction by focusing on a positive, stress-free experience versus a negative, stressful experience during artistic activity 40
Psychology Students,
30f/10m,
M = 19.65 years
2 × 2 factorial, randomized, controlled 4 experimental groups: drawing with positive and negative focus; creating collages with positive and negative focus;
1 single intervention
Stress, anxiety:
State Trait Anxiety Inventory; collection of heartrate pre-post
Level of focusing on positive and negative experiences: Manipulation Check
t-test for independent samples; ANOVA Focusing on positive experiences while artistic activity leads to stress reduction, regardless of the type of artistic technique.
F(1) = 13.76, p < 0.01
Huss & Sarid (2014) [44] Ib Effect of changing compositional elements (shape, size, color, texture) of a self-designed image of a memory vs. a simple memory (guided imagery) on the experience of stress. 35
Healthcare professionals (doctors, nurses, social workers)
Intervention-evaluation-study, randomized, controlled Group I (Art Therapy): Constructing a stressful work experience on paper, transforming the experience into a stress-free event; Group II (Guided Imagery): introducing and recalling a stressful work experience,
2 days workshop
Definition of artistic elements: Compositional Elements Scale
Discomfort, Stress: Subjective Units of Discomfort Scale (SUDS)
Descriptive: frequency analysis of compositional elements, paired significance tests, mean and standard deviation calculation of individual values Reduction of stress level in Group I and Group II. The compositional elements of shape, size and color are of particular importance.
X2 = 8.61(df = 1), p = 0.03; X2 = 7.56(df = 1), p = 0.04;
t-test = 3.27(df = 1), p = 0.03, t-test = 2.03(df = 1), p = 0.04, respectively
Kaimal, Ray & Muniz (2016) [45] IIb The impact of visual art making on the cortisol level 39
Students, staff & faculty from a large university, 33f/6m, M = 38.88
Single arm, pre-post-design, quasi-experimental 1 single session: 45 min of art making using collage materials, modeling clay, and/or markers,
15 min for consent and data collection before and after the session
Cortisol Level:
Saliva Sample (pre/post; ELISA kit method)
Prior Art making experience: limited, some, extensive experience
self-reported perceived
impact of art making:
Written responses from participants (qualitative data) converted into numeric data, entered into quantitative database
t-test for paired samples, one-way ANOVA, t-test for independent samples, Correlation Analysis: Sig. reductions in cortisol following the intervention: cortisol levels pre- and posttest differed significantly
t(38) = 4.54, p < 0.01
No sig. differences based on prior experiences on cortisol levels,
F(2, 36) = 0.64, p = 0.53
No sig. differences based on gender on changes in cortisol,
t(37) = 0.456, p = 0.65
Self-reported themes were not strongly correlated with changes in cortisol levels
Kimport & Robbins (2012) [46] Ib Effect of a guided intervention with clay on the mood 102
Students of an American University, 74f/28m, M = 22.3 years
2 × 2 × 3 factorial, randomized, controlled Creation of negative mood by showing a short film;
4 different 5-min interventions: Group A: clay + instruction; Group B: clay without instruction; Group C: stress ball + Instruction; Group D: stress ball without instruction;
1 single session
Mood State, Anxiety: Profile of Mood States (POMS), State-Trait Anxiety Inventory (STAI) Multifactorial Analysis of Variance (ANOVA) Editing tone (with and without instruction) reduces negative mood (mood and anxiety) more than working with stress balls; guided interventions (clay and balls) reduce negative mood more than interventions without guidance;
POMS: F(1, 98) = 7.6, p < 0.05;
STAI-S: F(1, 98) = 4.4, p < 0.05.
Mercer et al. (2010) [47] III Stress reduction through visualization (Visual Journaling) 10
5 medical Students, 5 Lecturers
Single-arm, pre-post-design with follow-up Visualization of a stress-inducing vs. a stress-free emotion, drawing of these emotions, self-explanatory questions for a better understanding of the stress situation; 1 single intervention Mood State, Anxiety: quantitative: State-Trait Anxiety Inventory (STAI-Y), the Positive and Negative Affect Schedule (PANAS)
qualitative:
Questions on stress situation
paired t-tests Non-significant reduction of anxiety and improvement of mood.
Pizarro (2004) [48] Ib Comparison of art and writing therapy concerning their effects on psychological and health conditions 45
Students,
27f/18m, M = 19 years
randomized, controlled, pre-post-design with follow-up 2 experimental groups: Induction of a stressful situation based on a text; painting this situation (art-stress) vs. writing about this situation (write-stress); control group: painting a still life after a neutral text,
2 sessions on 2 days
Health, Stress, Physical Symptoms, Mood: General Health Questionaire (GHQ-28), The Global Measure of Perceived Stress (GMPS), Physical Symptoms Inventory (PSI), Profile of Mood States (POMS) (short version) qualitative:
Questioning on satisfaction;
Questionnaire for the Assessment of stress reduction in art and writing intervention (follow-up)
Analysis of Covariance (ANCOVA) Sig. reduction of social dysfunction in the writing-stress group: F(2, 37) = 3.17, p = 0.05; No health improvements in the art groups: F(2, 37) = 0.10, ns; But more joy and commitment of study participation in the art groups.
Sandmire et al. (2012) [49] Ib Reduction of anxiety through artistic activity 57
Students, 45f/12m, M = 18.8 years
randomized, controlled experimental group: Choice of one of five artistic activities (mandala, free painting, collage, clay, drawing), 1 single session, duration: 30 min.; control group: no intervention Anxiety:
State Trait Anxiety Inventory (STAI)
t-tests for paired samples; multifactorial Analysis of Variance (ANOVA) Sig. reduction of anxiety (state and trait) before final exams.
p < 0.001, F(1) = 12.72
Schrade et al. (2011) [50] Ib Relaxation and reduction of stress levels through painting mandalas. 15
Adults with mental disabilities
9f/10m
Repeated measure, randomized, controlled 3 conditions: painting mandalas, free painting, neutral control condition (puzzle, board games, etc.),
1 single session
Stress:
blood pressure, pulse
(Sphygmomanometers)
three separate ANOVAs for repeated measures Sig. reduction of blood pressure (systolic and diastolic) in the mandala group over time: F(2, 28) = 6.05, p < 0.05; no sig. change of stress levels comparing the three groups.
Smolarski et al. (2015) [51] Ib Effect of instructions on emotional expression on the mood-enhancing qualities of drawing 45
Students,
28f/17m
randomized, controlled, doubleblind, pre-post design 1. Inducing a negative mood
2. Randomized allocation to three groups:
Group A: drawing happiness (acting out a positive mood)
Group B: drawing current stress (acting out a negative mood)
Group C: tracing and coloring a simple drawing (control group, distraction strategy), 1 single session
Mood State:
Profile of Mood States (POMS)
two-factorial ANOVA with repeated measures (3 groups; time: baseline, pre-post-treatment) Sig. mood improvement through the expression of a positive emotion while drawing in comparison to the expression of a negative emotion (venting) or the drawing of simple lines (control group), F(2, 42) = 4.0, p < 0.05.
Walsh et al. (2004) [52] IIb Effect of an artistic intervention on anxiety and stress among family members of cancer patients 40
family members of cancer patients, 30f/10m,
M = 51.43 years
pre-post-design, quasi-experimental Creative-artistic intervention, e.g., painting mandalas, painting; Implementation in the hospital room of the patient, 1 single intervention Mood State:
Mini-POMS
Anxiety:
Beck Anxiety Inventory (BAI)
Negative and positive emotions:
Derogatis Affects Balance Scale (DABS)
t-tests for paired samples Sig. reduction of stress, anxiety: t(40) = −3.42, p = 0.001; increase of positive emotions, t(46) = 11.87, p < 0.001.
MUSIC THERAPY
Beck, Hansen & Gold (2015) [53] Ib Effect of MT on biopsychosocial parameter 20 Danish workers with stress-related incapacity to work, 16f/4m, M = 45.5 years randomized, controlled Music Therapeutic Intervention: Guided Imagery and Music (GIM)
2-hour-sessions, 6 sessions in 9 weeks
Cortisol, testosterone, melatonin: analysis of saliva in the laboratory
Stress: Perceived Stress Scale (PSS); Profile of Moods States (POMS-37); Visual analogue scale for immediate stress sensation before and after the sessions; Karolinska Sleep Diary (KSQ); Unpublished 16-item scale for physical stress symptoms
Willingness to work: single item
Well-being: WHO-5 Well-Being Index
Anxiety: Generalized Anxiety Disorder 7 (GAD-7)
Depression: Major Depression Inventory
t-test for independent samples Sig. improvement in well-being and sig. reduction in sleep disturbance and physical distress. Early intervention leads to faster re-entry of work & positive sig. effects on stress, mood, sleep disorder, depression, anxiety and physical symptoms of distress.
(see Table 2, p. 339, in original study)
Brodsky & Sloboda (1997) [54] Ib Comparison of effect of Music Therapy and traditional verbal Psychotherapy 55
Musician of a symphony orchestra,
M = 36 years
randomized, controlled, pre/post design with follow-up Three groups:
(a) Somatron: traditional verbal psychotherapy, abbreviated progressive relaxation training (APRT), recorded music complemented by music-generated vibrations
(b) Music: verbal psychotherapeutic counseling, APRT relaxation exercises supplemented with recorded music
(c) Counseling: verbal psychotherapeutic counseling
1 h per week, 8 weeks
Baseline (Anxiety, Stress, Mood State, Burnout):
General Health Questionnaire (GHQ-28), Spielberger State Trait Anxiety Inventory (STAI), Derogatis Stress Profile (DSP), Profile of Mood States (POMS), Maslach Burnout Inventory of Music Performer’s Stress (AMPS), and the Music Performance Stress Survey (MPSS)
Pre-Post (Mood State, Relaxation):
POMS, relaxation exercises
Multifactorial ANOVA with repeated measures Music-supported forms of therapy as efficient as traditional counseling. 14 of the 52 sets of variables were statistically and clinically significant at measuring time 2 and 3. Differences between groups were not sig. F(2.46) = 4.16; p = 0.22.
Brooks, Bradt, Eyre, Hunt & Dileo (2010) [55] Ib Effect of MT on self-assessment of burnout, sense of coherence and job satisfaction 65
Medical nursing staff, 43f/9m
M = 42.16 years
Randomized, controlled Guided Imagery with music and relaxation exercises, 3-6 weeks, 60 min sessions Burnout: Maslach Burnout Inventory
Sense of Coherence: Sense of Coherence Scale
Job Satisfaction: Job Satisfaction Survey
Individual perception of interventions: Self-report on interventions (qualitative survey)
Independent t-test
Grounded theory
Quantitative results:
No sig. differences between experimental group (MT) and control group (waiting).
Qualitative results:
Music therapeutic Intervention helped subjects to relax and to recharge energy.
Byrnes (1996) [56] Ib Effect of audio, video and audio-video stimuli on the stress experience 54
33 Adults (participants of a university summer course)
21 students of music and/or education
Randomized, controlled, pre-post-design Three groups:
(a) Audio-Video: Music-Video excerpt from “Tropical Sweets” (with classical music)
(b) Audio: “Aquarium” by Camille Saint-Saens
(c) Video: Underwater movie about tropical marine life,
1 single session
Questionnaire on socio-demographic data, music preferences and activities for relaxation, current level of stress
Stress Experience
Continuous Response Digital Interface (CRDI)
Paired t-tests Stress reduction especially for participants with a high level of stress at the beginning: t = 3.695, df = 53, p = 0.001; Sig. reduction in audio-video condition, audio or video condition alone did not sig. affect stress.
Chang, Chen & Huang (2008) [57] Ib Effect of MT on the stress level, anxiety and the degree of depression 236 pregnant, Taiwanese women
M = 30.48 years
randomized, controlled EG: passive music therapy intervention: listening to music
2 weeks, 30 min. per day
CG: general prenatal treatment without MT
Stress: Perceived Stress Scale (PSS)
Anxiety: State Scale of the State-Trait Anxiety Inventory (S-STAI)
Depression: Edinburgh Postnatal Depression Scale (EPDS)
Paired t-test
Analysis of Covariance (ANCOVA)
Stress reduction, anxiety reduction and reduction of the degree of depression sig. higher in the EG with music therapy intervention than in the CG (see Table 4, p. 2585, in the original study).
Du Rousseau et al. (2011) [58] IIa Improvement of sleep quality, mood state, everyday functions 41
Law enforcement officers, firefighters,
13f/28m
pre-post-design, controlled Brain Music (BM)
Music-based Neurofeedback Therapy
Insomnia, sleep quality, depression, life satisfaction, everyday functions: Pittsburgh Insomnia Rating Scale, Subjective Sleep Questionnaire, Beck Depression Inventory, Life Satisfaction Scale, Daytime Functioning Scale, 4 weeks intervention Analysis of Variance (ANOVA), paired t-tests Sig. improvement of sleeping quality, insomnia, mood and everyday functioning (see Table 1, p. 392, in the original study).
Goff et al. (1998) [59] Ib Comparison of the effects of music and nitrous oxide on the pain-, anxiety- and stress-levels of subjects during a dental treatment 80
dental patients
randomized, controlled, 2 × 2 factorial (a) treatment under nitrous oxide and Level 1 = no music/level 2 = with music
(b) treatment accompanied by self-selected music
(Level 1 = without nitrous oxide, level 2 = with nitrous oxide)
Pain, Anxiety, Stress:
Saliva samples before and after treatment for determination of S-IgA concentration (secretory immunoglobulins A)
multifactorial Analysis of Variance (ANOVA) No sig. differences between the two treatment methods; in women sig. stress reduction with music accompaniment (see Tables 1 and 2, p. 24, in the original study).
Hatta & Nakamura (1991) [60] Ib Effect of Anti-stress Music-CDs on stress level 52
Students, 28f/24m
Randomized, controlled, Pre-Post-Design EG: Classical Music vs. Nature Sounds vs. Pop music; CG: no intervention, single session Stress, Arousal:
Stress/Arousal adjective checklist
(SACL)
2-factorial Analysis of Variance (ANOVA) Sig. reduction of stress and arousal through listening to music, regardless of the type of music, F(9, 144) = 4.25, p < 0.01.
Ilie & Rehana (2013) [61] Ib Effect of playing music on the iPhone on the acute stress level 54
Students, 27f/27m
Randomized, controlled, 2 × 3 factorial, pre-post-design Group 1: induction of a stress situation
Group 2: no stress induction
Each:
(a) Pressing the music app “Smule Ocarina” for 10 min, i.e., Playing the melody “Twinkle, Twinkle, Little Star”
(b) listening to the melody;
(c) Sitting quietly
1 single session
Mood State, Arousal:
Profile of Mood States (POMS)
Level of Cortisol:
Salimetrics Oral Swab (SOS)
Mixed-model ANOVA Sig. reduction of cortisol level in the stress-induced group by listening to or playing the app compared to the control group, F(1, 65) = 21.54, p < 0.001.
Jacobsen, McKinney & Holck (2014) [62] Ib Effect of MT on the parent-child interaction and parent-child relationship as well as the stress experience of the parents 18
Parent-child dyads from Denmark with neglected children
Randomized, controlled EG: music therapeutic Intervention
CG: standard treatment without MT
10 weekly sessions, 45 to 50 min.
Parent Competencies: Assessment of Parenting Competencies (APC)
Stress experience of parents: Parenting Stress Index (PSI)
Parent-Child-Relationship: Parent-Child Relationship Inventory (PCRI)
Multifactorial Analysis of Variance (ANOVA) Improvement of parent competencies and parent-child interaction, as well as stress reduction in the experimental group with MT intervention higher than in the control group (see pp. 321–326 in original study).
Kim (2008) [63] Ib Effect of two music therapy approaches on Music Performance Anxiety (MPA) 30
Music Students (Piano)
Randomized, controlled, pre-post-design 2 Groups
(a) improved-music-assisted-desensitization-group
(b) music-assisted progressive muscle relaxation (PMR) and imagery-group
6 weekly sessions
Anxiety, Stress, tension, relaxation:
Visual Analogue Scale (VAS),
State-Trait Anxiety Inventory (STAI), Music Performance Anxiety Questionnaire (MPAQ);
Measurement of the finger temperature
Tests of significance, Analysis of Variance (ANOVA) Sig. reduction of MPA in the music-assisted desensitization group at 6 out of 7 measurement points; Anxiety reduction in the music-assisted PMR group to a lesser extent than in the former group, but sig. for stress and tension level. Level of tension: F = 7.55, p = 0.016, df = 1, 14; state anxiety of the STAI, F = 5.57, p = 0.033, df = I, 14; finger temperature measure, F = 7.87, p = 0.014, df = 1, 14
Lesiuk (2008) [64] Ib Effect of listening to self-selected music at the workplace on stress levels 33
air traffic controllers, 2f/31m,
M = 34 years
Randomized, controlled; Pre-Post-Design EG: 15 min. Listening to favorite music, in the break of 4 working shifts in 2 weeks; CG: sitting in silence instead of listening to music Extraversion, Introversion:
Eysenck Personality Inventory;
Anxiety:
State-Trait-Anxiety Inventory (STAI);
Measurement of heart rate, blood pressure, state anxiety and subjectively perceived aviation activity
Multifactorial Analysis of Variance (ANOVA) No sig. differences between physiological and psychological components in the comparison of both groups; Sig. anxiety reduction (state anxiety) in EG and CG over time, F = 19.22, d.f. = 2, p = 0.000, and reduced perception of air traffic in both groups.
Maschi & Bradley (2010) [65] III Effect of relaxation drums on well-being, empowerment and social connectedness 31
Social Work Students, 29f/2m
Pre-Post-Design One single session of 2 h relaxation drumming in the group Stress, Energy, Empowerment, Bonding:
Session Impact Scale
paired t-tests Sig. stress reduction, increased energy, empowerment and a sense of community (see Table 3, p. 61, in the original study).
Mohammadi, Shahabi & Panah (2011) [66] Ib Effect of MT on stress, anxiety and the degree of depression 19 residents of a home for elderly, 9f/10m,
M = 69.4 years
Randomized, controlled Experimental Group:
MT group intervention (music listening, singing, percussion), 10 weeks of 90 min. daily sessions
Control group: standard day-to-day acitivities
Stress, Anxiety & Depression: Depression Anxiety Stress Scale (DASS) Mann-Whitney U-Test Stress reduction, anxiety reduction and reduction of the degree of depression sig. higher in the experimental group with MT than in the control group (standard day-to-day activities) (see Table 1, p. 63, in the original study).
Murphy et al. (2014) [67] Ib Effect of harp therapy on the stress level and clinical outcome values 181
Women in an in vitro reproduction surgery
Prospective, randomized, controlled, pre-post design EG: harp therapy for in vitro fertilization
CG: standard therapy
Anxiety:
State-Trait Anxiety Inventory;
Pulse, respiratory rate, blood pressure
t-test for paired samples, Wilcoxon rang sum test Sig. higher reduction of anxiety (state anxiety) over time in the EG than in the CG; Conception rate higher in EG than in CG; positive effect on the acute stress level; no sig. Improvement of heart rate and respiratory rate (see Tables 6–9, pp. 96–97, in the original study).
Rider et al. (1985) [68] III Effect of music/progressive muscle relaxation (PMR)/guided imagery (GI) on stress hormones 12
Nurses
Quasi-experimental, pre-post design 20-min program of classical music (audio cassettes) incl. PMR and GI (visualization of imaginative images); 5 times a week over 3 months Adrenal Corticosteroid (Stress hormones):
Urine samples, temperature measurements;
Taylor-Johnson Temperament Analysis, State-Trait Anxiety Inventory, Torrance Test of Creativity, Circadian Type Questionnaire
t-tests Reduction of circadian amplitude and corticosteroid temperature rhythms during music listening; The average corticosteroid level did not improve sig. over time.
Sharma & Jagdev (2012) [69] Ib Effect of MT on the self-esteem of adolescents 60
adolescents with high school stress levels & low self-esteem,
M = 16.85 years
pre-post design, controlled EG: 30 min listening to classical Indian music (raga, flute) per day, 15 days; CG: discussion of study irrelevant topics School Stress (Anxiety, Frustration, Pressure Conflict):
Scale of Academic Stress (SAS-3)
Self Esteem:
Self Esteem Inventory (SEI)
t-tests Sig. increase in self-esteem in the EG compared to the CG.
(see Table 2, p. 59, in the original study)
Smith & Joyce (2004) [70] IIa Effect of MT on the state of relaxation and stress 63 students, 45f/18m,
M = 20.88 years
Quasi-experimental, controlled EG1: receptive MT-Intervention (Mozart).
EG2: receptive MT-Intervention (New Age Music) CG: reading offer without MT
Relaxation Sessions of 28 min, 3 days in a row, once a day
State of Relaxation and Stress: Smith Relaxation States Inventory (SRSI) Pearson chi2-test Stress reduction and increase of the relaxation state higher in EG1 (Mozart) compared to EG2 (New Age Music) or to the control group (reading of leisure magazines). (see p. 220)
Smith (2008) [71] Ib Effect of MT on Anxiety 80 Employees of a call center 40f/40m,
M = 37.5 years
Randomized, controlled Experimental group: Progressive muscle relaxation with music
Control group: verbal discussion, 1 single session
Anxiety: State Trait Anxiety Inventory t-test with repeated measures Anxiety reduction sig. higher in the EG with musical relaxation intervention than in the CG (verbal discussion): decrease in tense rating: t(39) = 12; p < 0.01; increase in pleasant and relaxed rating: t(39) = −20.27; p < 0.01; t(39) = −16.2; p < 0.01.
Toyoshima, Fukui & Kuda (2011) [72] Ib Effect of creative activities on cortisol levels and anxiety 57 Students, 30f/27m,
M = 21.5 years
Randomized, controlled Three experimental groups (1 piano playing, 2 clay modulations, 3 calligraphy) and a control group (lingering in silence)
1 single session
Anxiety: State Trait Anxiety Inventory
Detection of cortisol in saliva
Multifactorial Analysis of Variance (ANOVA) Anxiety reduction and cortisol degradation higher in the EG (creative interventions) than in the CG (lingering in silence). Playing the piano shows the biggest effects. F(1,113) = 5.57, p = 0.0202
DANCE/MOVEMENT THERAPY
Bräuninger (2012) [21] Ib Improvement of stress management and stress reduction, as well as the influence of DMT group intervention on quality of life (QoL) N = 162 Clients suffering from stress (self-assessed), 147f/15m
M = 44 years
Randomized, controlled, pre-post-design with follow-up after 6 months EG: DMT, group intervention, 10 weeks
CG: waiting control group
Stress management and stress reduction:
Stress processing questionnaire/SVF 120
General Stress Level and Psychopathology (Brief Symptom Inventory/BSI)
Quality of Life (QoL): The World Health Organization Quality of Life Questionnaire 100 (WHOQOL-100) and Munich Life Dimension List (MLDL)
Stress Data: Multifactorial Analysis of Variance (ANOVA)
Quality of Life: Analysis of Variance with repeated measures (repeated measures ANOVA)
Negative stress management strategies decreased sig. in short and long term comparisons, positive strategies of distraction increased, as well as relaxation; sig. short-term improvements in the BSI, especially with regard to anxiety scores; QoL dimensions were sig. better in the EG than in the CG (see Tables 4 and 5, pp. 447–448, in the original study).
Pinninger, Brown & McKinley (2012) [73] Ib Comparison of tango and mindfulness meditation regarding stress reduction, reduction of anxiety and depression symptoms and improvement of well-being Sample N = 79 (self-assessed) depressedPersons, 19.5f/80.5,
M = 38.68 years
3 × 2 factorial design, randomized-controlled, pre-post test Three interventions:
Tango: 6 weeks, 1 ½ h per week
Mindfulness meditation: 6 weeks, 1 ½ h per week
Waiting control group
Anxiety, Depression:
Depression, Anxiety and Stress Scale (DASS-21-Scale); Rosenberg Self Esteem Scale; Satisfaction with Life Scale, and Mindful Attention Awareness Scale.
Analysis of Covariance (ANCOVA) and
Multiple regression analysis
Significantly reduced depression symptoms in both (F(2, 59) = 6.00, p = 0.004), the tango group and the mindfulness group compared to the control group; reduced stress only in the tango group (F(2, 59) = 3.88, p = 0.026); participation in the tango dance was a significant predictor of improved mindfulness.
Pinninger, Brown & McKinley (2013) [74] Ib Effect of an intensive program of Tango dance on self-reported stress, anxiety or symptoms of depression N = 41
(experimental group: 20, waiting control group: 21)
Randomized, controlled (RCT)
Pre, Post-Test, follow-up after one month
EG: Tango dance program (4 × 1 ½ h in 2 weeks),
waiting control group
Self-assessment scales of stress, anxiety and depression symptoms: Depression Anxiety and Stress Scale (DASS-21); Insomnia Severity Index; Satisfaction with Life Scale; General Self-efficacy Scale; Mindful Attention Awareness Scale; Qualitative feedback Analyzes of Covariance (ANCOVAs) Self-assessed stress-, anxiety- and depression-symptoms in the experimental group sig. improved compared to the control group; effects were retained at follow-up time (1 month); life satisfaction and self-efficacy sig. improved; mindfulness did not change sig.: stress, F(1,38) = 12.59, p = 0.001; anxiety, F(1,38) = 8.31, p = 0.006; depression,
F(1,38) = 25.60, p = 0.001; insomnia,
F(1,38) = 8. 30, p = 0.006
Quiroga Murcia, Bongard & Kreutz (2009) [75] IIa Effects of tango dance on psychophysiological emotion or stress measurements 22 healthy individuals with min. 1 year tango experience, 11f/11m
M = 43.09 years
2 × 2 factorial, controlled 4 Conditions:
1. Regular tango dance with partner and music
2. Tango dance with partner without music
3. Dance without partner but with music
4. Movement without a partner and without music
20 min sessions
Stress:
Positive and Negative Affect Schedule (PANAS)
Saliva samples for the study of cortisol and testosterone
Multivariate Analysis of Variance (MANOVA) with repeated measures Sig. reduction of negative affect,
sig. improvement of positive affect (F(1, 21) = 5.06, p < 0.05), and sig. reduction of cortisol concentration in saliva through tango dance with music and partner (F(1, 19)= 5.45, p < 0.05). The effect was dependent on the music, but not on the partner.
West et al. (2004) [76] IIa Comparison of African Dance and Hatha Yoga regarding their influence on well-being 69 Students
47f/22m
M = 19 years
3 × 3 factorial, controlled 3 Conditions:
1. Hatha Yoga
2. African Dance
3. Biology Lecture
90 min courses, single session
Stress:
Perceived Stress Scale (PSS), Positive and Negative Affect Schedule (PANAS), saliva samples for the measurement of cortisol
Multivariate Analysis of Variance (MANOVA) with repeated measures Sig. reduction of perceived stress and negative affect as well as improvement of the positive affect in Hatha Yoga and in African dance: F(2, 66) =11.77, p < 0.0001; Sig. reduction in cortisol concentration in saliva in the yoga condition (F(2, 59) = 17.28, p < 0.0001); Increase of cortisol in saliva in the dance condition and no change of cortisol in the control condition.
Wiedenhofer & Koch (2016) [77] IIa Comparison of non-goal-directed movement and goal-directed movement in terms of their influence on stress and well-being N = 57 Students, 44f/12m
M = 23.21
Two-factorial, controlled, pre-post design EG: non-goal-directed movement improvisation to music, one-time participation 40–50 min.
CG: goal-directed movement improvisation to the same music. Colorful post it-notes were used as target points in the room, one-time participation
Perceived Stress:
PSQ30 questionnaire
Well-being:
HSI (Heidelberg State Inventory)
Self-efficacy: General Perceived Self-Efficacy Scale (GSE scale)
Body-self-efficacy: Self-Efficacy-Scale (BSE)
MANOVA with repeated measures
t-tests for paired samples
Perceived stress in EG sig. more reduced than in CG F(56,1) = 4.71, p = 0.034 ; Body-Self-efficacy increased sig. in EG F(56,1) = 7.00, p = 0.011, no difference in well-being:.

Notes: AT = Art Therapy, MT = Music Therapy, DMT = Dance/Movement Therapy, sig. = significant(ly). Evidence levels are defined according to the Agency for Healthcare Research and Quality (AHRQ) [40]; CATs are demarcated from mere arts interventions by color: clinical studies of CATs are colored green, single session studies of CATs and studies on arts interventions are colored black.