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. 2018 May 23;8(6):52. doi: 10.3390/bs8060052

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© 2018 by the authors.

Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).

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Distributed creativity through cross-scaffolding: (a) the male dancer hangs on their partner’s shoulder; (b) a transition starts—away from this position; (c) the dancer who previously supported weight finds a stable point pushing against their partner’s lap; (d) the female dancer’s pushing cumulates with their partner’s standing up; (e) the female dancers pulls herself up, attaching herself onto her partner’s body; (f) the situation culminates into an inverted lift; (g) the couple starts spinning as the inversion is stabilized through the female dancer’s leg; (h) the hanging dancer reaches out for the floor; and (i) and the dancer lands in a supported handstand.