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. 2018 Nov 11;9(6):2041669518808535. doi: 10.1177/2041669518808535

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© The Author(s) 2018

Creative Commons CC-BY: This article is distributed under the terms of the Creative Commons Attribution 4.0 License (http://www.creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).

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Figure 3. — (a) Correlations between the 15 music–perceptual features and the weighted average color–appearance values of the colors picked as going best/worst with the music (the Perceptual-MCAs). (b) Correlations between the 10 music–emotion ratings and the weighted average color–appearance values of the colors picked to go with the music. The grouping of emotion-related features into Sets 1A, 1B, and 2 is explained in the subsection “Results of Higher Level Emotional Correlations in Music-to-Color Associations.” (c) Same correlations as in (b) for the two latent emotion factors identified by Parafac (arousal and valence). Family-wise error rate was controlled using Holm's method. Significant correlations are denoted with asterisks (***p < .001, **p < .01, and *p < .05) and by raised outlined borders.