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. 2019 Jan 11;9:2682. doi: 10.3389/fpsyg.2018.02682

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Copyright © 2019 Swarbrick, Bosnyak, Livingstone, Bansal, Marsh-Rollo, Woolhouse and Trainor.

This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

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Vigour of head movements across songs. The distance travelled within a song was divided by the total length of the song, giving a value in millimetres per second. Fans moved with greater vigour than Neutral-listeners for every song and those in the Live Concert condition moved with greater vigour than those in the Album-playback Concert condition for every song. Vigour varied among songs, and was qualified depending on Concert-status (Live, Album-playback). The songs were: (1) “Just to Know I Can”; (2) “How Long”; (3) “Fool”; (4) “Elouise”; (5) “Frozen Pond”; (6) “Feel”; (7) “Secrets”; and (8) reinterpretation of “Blown Wide Open.” The violin plots show the same parameters as a standard box plot (range, interquartile range and median) as well as a kernel density plot that estimates the continuous distribution of the data.