Table 3.
Analysis on the basis of stimulus and emotions
| Reference | Stimulus duration/type | Emotions |
|---|---|---|
| [11] | 60 s/excerpts vary in affective valence | Fear, Joy |
| and intensity (i.e. intense vs. calm) | Happy, Sad | |
| [12] | 15 s/Jazz, rock-pop, classical music | Positive, Negative |
| and environmental sounds | ||
| [13] | 1 min/Consonant comprised 10 excerpts of joyful instrumental dance tunes | Pleasant, Unpleasant |
| Dissonant stimuli were electronically manipulated counterparts of the consonant excerpts: | ||
| [14–17] | 30 s/Four types musical excerpt | Joy, Angry, |
| Sadness, Pleasure | ||
| [35] | 5 min/West-African Djembe drums and electronic hand drums | Depression |
| [18] | 15 s/Rock-pop, electronic, jazz and classical (15 excerpts per genre) and 15 excerpts of broadband noise | Like, Dislike |
| [19] | 3 min/16 peace of music | Exciting, Relaxing |
| [21] | 2.5 min/Largo, D-flat major, Going Home | NA |
| [20] | 60 musical excerpts LD (regardless of familiarity), LDF (familiar music), LDUF (Unfamiliar music)) | NA |
| [36] | 15 s/10 film music excerpts | Anger, Fear, Happiness, |
| Sadness, Tiredness | ||
| [22] | 60 s/Iranian music along with other classical excerpt | Valence, Arousal |
| [23] | 1 min /Rap, metal, rock and hip-hop genres Happy | |
| [24] | 20 s/Electronic, classical and rock. four music genres | Anger, Happiness, Calm, Sadness, Scare |
| [25] | 30 s/8 cross-culture instrument | Joy, Sorrow, Anxiety, Calm |
| [26] | 2 s/Familiar unfamiliar musical stimuli | Like, Dislike |
| [27–29] | 10 min/Instrumental Raag Bhairavi | Like, Dislike |
| [30] | 10 min/Instrumental Raag Bhairavi | Like, Dislike, Depression |