Table 2.

Demographic tables for (a) the British actors, (b) the Swedish actors, and (c) the Israeli actors

a)					b)					c)
UK					Sweden					Israel
Actor Code	Age	Gender	Script	Mean CCR	Actor Code	Age	Gender	Script	Mean CCR	Actor Code	Age	Gender
A	19	Female	A	48%	AF04A1	18	Female	A	28%	Ai	20	Female
B	37	Female	B	39%	AF02B1	27	Female	B	44%	Bi	36	Female
C	31	Male	A	36%	AF01A1	39	Female	A	40%	Ci	35	Male
D	27	Female	B	47%	AF05B2	44	Female	B	48%	Di	29	Female
E	70	Female	A	36%	AF03A2	67	Female	A	34%	Ei	72	Female
G	15	Female	B	39%	AM01B1	18	Male	B	NA*	Fi	12	Female
H	62	Male	A	28%	AM04B2	31	Male	B	46%	Gi	15	Female
K	30	Male	A	37%	AM02A1	45	Male	A	33%	Hi	68	Male
M	37	Male	B	45%	AM03A2	65	Male	A	NA*	Ii	11	Male
N	42	Female	A	37%	YF03B1	8	Female	B	27%	Ji	12	Male
O	21	Female	A	37%	YF02A1	11	Female	A	38%	Ki	35	Male
F	10	Female	B	32%	YF01B2	12	Female	B	37%	Li	11	Male
I	11	Male	B	42%	YF04A2	14	Female	A	30%	Mi	37	Male
J	12	Male	B	42%	YM01B1	9	Male	B	35%	Ni	42	Female
L	12	Male	B	37%	YM05B2	9	Male	B	52%	Oi	19	Female
P	12	Male	B	44%	YM04B1	13	Male	B	44%	Pi	13	Male
Q	10	Female	A	36%	YM02A2	14	Male	A	28%	Qi	12	Female
S	11	Male	B	35%	YM03A1	14	Male	A	26%	Ri	11	Male

Each actor portrayed a subset of emotions (either set A or set B, each including ten emotional states) such that each emotion is portrayed by a subset of actors. The two sets were randomly distributed among the actors as follows: UK—Script A: 5 females, 3 males, 1 child, 7 adults (18+); Script B: 4 females, 6 males, 7 children, 3 adults (18+). Sweden—Script A: 5 females, 4 males, 4 children, 5 adults (18+); Script B: 5 males, 4 females, 5 children, 4 adults (18+). Israel—Script A: 5 females, 4 males, 4 child, 5 adults (18+); Script B: 4 females, 5 males, 4 children, 5 adults (18+). CCR, chance-corrected recognition rate. *None of the stimuli were kept in the database for this actor, due to poor quality