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. 2019 Aug 1;10:3440. doi: 10.1038/s41467-019-11440-1

Fig. 1.

Fig. 1

Experimental design. a Transition matrices used to generate sound sequences according to the different conditions (random (RD), midminus (MM), midplus (MP), and ordered (OR)). b Schematic examples of different sound sequences generated across time. 10% of sound stimuli were randomly replaced by omission trials (absence of sound) in each context