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. 2019 Oct 4;10:2148. doi: 10.3389/fpsyg.2019.02148

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Copyright © 2019 Pelowski, Graser, Specker, Forster, von Hinüber and Leder.

This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.

PMC Copyright notice

Study location layout and included artworks. Light apparatus is shown in top left. Study 1 (portrait) paintings reprinted with the permission of the copyright holder (Artwork 1: Ernst NEPO, ohne Titel, Mädchenportrait, around 1930, oil on paper, 39 cm × 29 cm. © University of Applied Arts Vienna, Collection and Archive, Inv. No. 4448/B. Artwork 2: Emil ORLIK, ohne Titel, Frauenbildnis, 1905, oil on canvas, 38.5 cm × 35 cm. © University of Applied Arts Vienna, Collection and Archive, Inv. No. 5552/B, Donation by Oswald Oberhuber. Artwork 3: Hans STROHOFER, “Portrait H. Chini,” 1921, oil on board, 35 cm × 31 cm. © University of Applied Arts Vienna, Collection and Archive, Inv. No. 2649/B). Study 2 (abstract paintings) re-printed with the permission of the artist (© Friedrich Biedermann). Photographs of rooms were taken by the authors.