Table 3.
I | V7 | iii6 | V/V | V2 | vi | V6/V | vi7 | i | iii | vi6 | I6 | ii6 | vii° | V6 | ii | IV | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Convergence∗ | C | D | D | C | D | X↑ | C | X↑ | C | C | X↑ | C | C | D | D | C | X↓ |
| |||||||||||||||||
Frequency† | 42 | 7 | 6 | 2 | 2 | 11 | 1 | 1 | 0 | 4 | 1 | 5 | 2 | 0.5 | 2 | 2 | 6 |
| |||||||||||||||||
444 | -1.5 | 1.8 | 1.9 | 0.4 | 3.4 | 2.3 | 1.9 | 6.9 | 1.2 | 0.3 | 39.6 | 1.9 | 7.4 | 4.3 | 2.5 | 192 |
∗States of convergence:
C denotes convergence of .
D denotes divergence of .
X↑ denotes escalating excursion of .
X↓ denotes descending excursion of .
†In percent, as read off the histogram of chord tendencies from [45] computed over a dataset of 11000 chords from Palestrina.