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. 2019 Sep 11;41(1):46–66. doi: 10.1002/hbm.24786

Figure 3.

Figure 3

Experimental Design: within a scanning session, each participant was presented with eight musical variations (four consonant and four dissonant) in pseudo‐randomised order. Each variation (30 s) was preceded by the neutral condition (12 s) and separated by rest (18 s)