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. 2020 Jul 19;82(7):3266–3272. doi: 10.3758/s13414-020-02093-0

Table 1.

Arcimboldo’s ambiguous portraits. Stimuli were derived from the larger set used in previous studies (Boccia et al., 2014, 2015, 2017) as those receiving similar esthetic evaluation of non-ambiguous Renaissance portraits (original data were published in Boccia et al., 2014)

Painting Year
Autumn 1563
Autumn 1573
Flora 1589
Librarian 1566
Portrait of Adam 1578
Portrait of Eve 1578
Spring 1563
Spring 1573
Summer 1563
Summer 1573
Vertumno 1591
Winter 1563