Table 1.
Arcimboldo’s ambiguous portraits. Stimuli were derived from the larger set used in previous studies (Boccia et al., 2014, 2015, 2017) as those receiving similar esthetic evaluation of non-ambiguous Renaissance portraits (original data were published in Boccia et al., 2014)
Painting | Year |
---|---|
Autumn | 1563 |
Autumn | 1573 |
Flora | 1589 |
Librarian | 1566 |
Portrait of Adam | 1578 |
Portrait of Eve | 1578 |
Spring | 1563 |
Spring | 1573 |
Summer | 1563 |
Summer | 1573 |
Vertumno | 1591 |
Winter | 1563 |