Skip to main content
. Author manuscript; available in PMC: 2024 Jan 30.
Published in final edited form as: Behav Cogn Psychother. 2023 Oct 19;52(1):33–48. doi: 10.1017/S1352465823000462

Table 3. Examples of behavioural experiments for misophonia.

Theory being tested Behavioural experiment
Having judgemental thoughts about others means I am a bad person Survey to find out what proportion of people have judgemental thoughts or opinions about others
I can’t cope with strong emotions Watching emotionally-charged videos (positive and negative emotions) to find out what happens when experiencing strong emotions
Making that sound means you are uncouth and don’t care about others around you Discussion with others to explore possible reasons for making certain sounds, and considering consequences that some people may have if they don’t make those sounds
I might act on my violent imagery if I don’t do something to stop them Deliberately bringing on violent images and test whether that leads to violent action
If I get too angry, my heart will beat too fast and might explode Running up and down stairs to induce increased heart rate to test predictions
I will be judged if I tell people about how angry some sounds make me Testing the waters by talking with friends or family members to see how they react
I look repulsed when I hear sounds and so I need to try to suppress my emotions Using video feedback to find out if one’s reaction looked the same from the outside as imagined, then compare with how it looks when trying to suppress
Blocking my ears is the best way to reduce my anger Comparing blocking ears with labelling the physical properties of the sounds
Glaring or scowling is the best way to get someone to stop making a sound Monitoring the impact of glaring (effectiveness in stopping sounds and unintended consequences)
I should try and push away my feelings or they will be overwhelming and obvious Comparing emotion suppression with emotion labelling
I must escape the sounds of my feelings will escalate beyond my control Trying “opposite action”: touching the wall to feel the vibrations of neighbour’s sounds; smiling at a person who is making a trigger sound; invite the person to make the sound more and louder (either imagined or out loud with a willing participant)