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. 2019 Mar 31;11(2):10.16910/jemr.11.2.7. doi: 10.16910/jemr.11.2.7

Figure 3.

Figure 3.

Top-view of the trajectory of the hands/mallets of the percussionist for different musical tasks: a) hands playing in strict alternation in a straight line (C-major scale); b) hands playing in strict alternation along a jagged-line to reach altered notes (B-flat major scale); c) hands playing in strict alternation but going in opposite directions back and forth from a central note (C) along the C-Major scale.)Top-view of the trajectory of the hands/mallets of the percussionist for different musical tasks: a) hands playing in strict alternation in a straight line (C-major scale); b) hands playing in strict alternation along a jagged-line to reach altered notes (B-flat major scale); c) hands playing in strict alternation but going in opposite directions back and forth from a central note (C) along the C-Major scale.