Table 1.
Possible scale tones used in stimulus creation (both equal tempered, in Hz).
| # | Bohlen-pierce scale tones | Diatonic scale tones | Difference in cents |
|---|---|---|---|
| 1 | 80 | 80 | 0 |
| 2 | 87.1 | 89.8 | 52.85 |
| 3 | 94.7 | 95.1 | 7.3 |
| 4 | 103.1 | 100.8 | −39.06 |
| 5 | 112.2 | 106.8 | −85.39 |
| 6 | 122.1 | 119.9 | −31.48 |
| 7 | 132.8 | 134.5 | 22.02 |
| 8 | 144.5 | 151 | 76.18 |
| 9 | 157.3 | 160 | 29.46 |
| 10 | 171.2 | 179.6 | 82.93 |
| 11 | 186.3 | 190.3 | 36.78 |
| 12 | 202.7 | 201.6 | −9.42 |
| 13 | 220.6 | 213.6 | −55.83 |
| 14 | 240 | 239.7 | −2.17 |
Equal tempered Bohlen-Pierce tones are about 146 cents apart from each other (ratio of 13√3), while equal tempered chromatic tones of a diatonic scale differ by 100 cents (12√2). The diatonic scale contained both major and minor thirds.