Table 1.
Summary of the reviews used as a starting point for the present survey.
| Focus | Taxonomy | References | Mentions to creativity | Pages | |
|---|---|---|---|---|---|
| Nierhaus (2009) | Broad review of all the methods for algorithmic composition in literature. | Method | 328 | 24 | 294 |
| Fernández and Vico (2013) | Broad (yet condensed) review of all the methods for algorithmic composition in literature. | Method | 337 | 38 | 70 |
| Williams et al. (2015) | Affective/emotional assessment integrated in algorithmic composition. | Expressive features | 123 | 0 | 24 |
| Herremans et al. (2017) | An objective-based taxonomy to better understand the state of the art in music generation. | Objective and method | 165 | 4 | 30 |
| Lopez-Rincon et al. (2018) | Brief introduction on a variety of AI methods used for music generation. | Method | 32 | 2 | 7 |
| Tatar and Pasquier (2019) | Generative musical agents. | Typology of agents | 205 | 122 | 50 |
| Briot et al. (2020) | Music generation using deep learning techniques. | Method | 212 | 37 | 303 |
For each, the focus for the choice of works to be reviewed is reported, as well as what the classification of the systems is based upon (Taxonomy), the number of references present in the reviews, the number of times creativity is mentioned, and finally the page count.