Table 1.
Design | Control group and training | Quality of randomization | Outcome measures | |
---|---|---|---|---|
Smith et al. (2017) Adult CI users, N = 21 Self-administered melody training 3.5 hours/week for 4 weeks |
No control | NA | NA | Three music assessments: music enjoyment, pitch and timbre discrimination, and complex melody and patterns Sentences in noise and quiet |
Hutter et al. (2015)
Newly implanted CI adults, N = 12 Music therapy (10 45-minute sessions) |
No control | NA | NA | 3 questionnaires are sound quality, self-concept, and satisfaction Music (pitch timbre, melody) |
Cheng et al. (2018)
CI children, N = 22 MCI training (30–60 hours over 8 weeks) |
No control | NA | NA | MCI Lexical tones Sentences in quiet |
Firestone et al. (2020)
CI adults, N = 11 Active music listening 40 mins/day for 4 or 8 weeks |
No control | NA | NA | Speech perception (words, sentences in quiet and noise) Hearing questionnaire EEG (acoustic change response) |
Lo et al. (2015) CI adults, N = 8 in each group 2 music trainings 1–2 hours/week for 6 weeks |
RCT |
MCI interval training MCI duration training (No non-music control) |
Subjects were randomized between the two music training groups only | MCI Speech perception in noise Consonant discrimination in quiet and in noise Prosody (question/statement) |
Yucel et al. (2009)
18 newly implanted child CI users, N = 9 each group 2 years home training on computer/keyboard |
CT |
No-training control | No randomization (Self-selected test group) |
Closed-set word identification and two open-set sentence identification tests Music questionnaires |
Lo et al. (2020)
9 hearing-impaired children with hearing aids or CIs 12 weeks of weekly 40-minute group music therapy, plus online exercises |
CT |
No-training control A subgroup waited 12 weeks before starting training |
Pseudorandom allocation: Parents could opt for a different group for convenience | Sentences in noise Pitch Timbre Modulation detection Emotional prosody Question/statement prosody |
Petersen et al. (2012)
18 newly implanted CI adults, N = 9 in each group 1 hour/week for 6 months face-to-face training (singing, playing, listening) plus home practice using computer apps |
CT | No-training control | No randomization: groups matched on hearing factors. | Music tests (5 subtests) Sentences in noise Emotional prosody |
Dubinsky et al. (2019)
Older adults with normal to mild hearing impairment, N = 45 (test), 30 (control) Group 2-hour/week singing course plus 1-hour/week online musical and vocal training exercises for 10 weeks |
CT |
No-training control | No randomization: self-selected music group with 9 withdrawals | Sentences in noise Frequency difference limens Frequency following response (EEG) |
Chari et al. (2020)
Adult CI users, N= 7 in two music training groups 1 month of auditory-only MCI 1 month of auditory-motor MCI N = 4 in no-training control |
RCT | No-training control | Randomized: but some withdrew and very small groups | Consonant perception, sentences in noise Speech prosody Pitch perception |
Fuller et al. (2018)
Adult CI users, N = 6, 7, 6 Two types of music training: MCI training Music therapy Six 2-hour weekly sessions |
RCT |
Group therapy consisting of writing, cooking, and woodworking | Randomized: but very small groups and did not say how randomized | Speech understanding in quiet and noise Vocal emotion identification MCI Quality of life |
Good et al. (2017)
Child CI users 6 months piano lessons N = 9 in active control and test groups |
RCT | Art classes | Partial randomization: also 7/25 withdrew | Music ability Emotional speech prosody |
Bedoin et al. (2018)
Child CI users, N = 10 Music (rhythmic) primes vs. non-music primed in syntax training Eight 20-minute sessions over 4 weeks |
Crossover |
Nonmusical auditory primes | NA | Syntactic judgment Grammatical processing |
Note. (R)CT = (randomized) controlled trial; MCI = melodic contour identification; CI = cochlear implant.