FIGURE 4.

Kendall correlations were performed across variables with information on the individual participants’ characteristics (personal importance of music in the past 3 years, hours listening to music per day, age, empathic concern, average loneliness since the beginning of the pandemic, fan status, attention level during the concert, the number of other people present in the same space) concert characteristics (how much the performers interacted with the audience and each other, the social and physical presence experienced by the participant at the concert, participants’ appraisal of if it was similar to a real concert, perceived video and audio quality, overall concert quality, and salience of the coronavirus), and feelings or behaviors that the participant experienced at the concert (laughing out loud, desire to move, kama muta, and social connection). To control for false detection rate, the BH method was used. Only significant correlations are shown, thus the number of others present is not displayed because it had no significant correlations. Recall that the correlation between social connection and social presence is partially driven by the fact that these scales share two items. ^∗p < 0.05, ^∗∗p < 0.01, ^∗∗∗p < 0.001.