TABLE 3.
PCA (with oblique rotation) of meta-emotion beliefs and musical practice goals.
| Component |
||
| Factor 1: | Factor 2: | |
| Emotion-Driven Practice | Non-Hedonic Driven Practice | |
| Meta-emotion beliefs (Likert: 1 = strongly disagree…7 = strongly agree) | ||
| I pay attention to my emotional state during my musical practice | 0.76 | |
| I must have the right emotional state in order to get the most out of my practice | 0.74 | |
| I actively seek to experience the emotions that I believe will help me improve my practice | 0.71 | |
| I know what emotions will help me get the most out of my practice | 0.69 | |
| I usually feel that I have to change my emotions in order to get the most out of my practice | 0.68 | |
| I don’t always have to feel good in order to practice effectively | 0.80 | |
| Unpleasant emotions such as anger can help me get the most out of my practice | 0.60 | |
| I work equally as hard in my musical practice, regardless of how I feel | 0.53 | |
| Musical practice is best when I am feeling positive | −0.61 | |
| I cannot practice well unless I am feeling positive | −0.58 | |
| Factor 1: Mastery | Factor 2: Enjoyment | |
| Musical practice goals (Likert: 1 = very untrue of me…7 = very true of me) | ||
| I practice difficult techniques or pieces until I have mastered them | 0.84 | |
| It is very important to me to continue to perfect my musical and technical abilities | 0.78 | |
| I practice so that I can play a piece exactly as I think it should be | 0.75 | |
| I practice my instrument because it helps me relax and forget everything around me | 0.87 | |
| I practice my instrument for recreation | 0.84 | |
| I don’t always have to practice difficult pieces, the main thing is that they sound nice | 0.60 | |