| P | Pacinian |
| NP-I | Non-Pacinian I |
| NP-II | Non-Pacinian II |
| NP-III | Non-Pacinian III |
| FAF-I | Fast Afferent I |
| FAF-II | Fast Afferent II |
| ISOA | Inter-Stimulus Onset Asynchrony |
| ATR | Audio-Tactile Rendering |
| HCHI | Human–Computer Haptic Interface |
| SSS | Sensory Substitution System |
| DMI | Digital Musical Instrument |
| HAID | Haptic and Audio Interaction Design |
| HCI | Human Computer Interaction |
| HMP | Haptic Music Player |
| DAC | Digital to Analog Converter |
| VCA | Voice Coil Actuator |
| LRA | Linear Resonant Actuator |
| ERM | Eccentric Rotating Mass |
| DMA | Dual Mode Actuator |
| VMC | Vibrotactile Music Composition |
| HMP-I | Haptic Music Player - Installation |
| BRTF | Body Related Transfer Function |
| HRTF | Head Related Transfer Function |
| ATFS | Audio-Tactile Frequency Synchronism |
| FM | Frequency Model |
| TM | Track Model |
| VMLE | Vibrotactile Music with/without Listening Experience |
| ATFM | Audio-Tactile Frequency Matching |
| F-EQ | Frequency Equalization |
| MC | Melodic Consonace |
| HMP-WD | Haptic Music Player - Wearable Device |
| MHWA | Musical Haptic Wearables for Audiences |
| VR | Virtual Reality |
| AR | Augmented Reality |
| PWM | Pulse-Width Modulation |
| FD | Frequency Discrimination |
| API | Audience-Performer Interaction |
| EEG | Electroencephalogram |
| VMID | Vibrotactile Music Input Devices |
| JND | Just Noticeable Difference |
| MIDI | Musical Instrument Digital Interface |