Table 1.
Summary of the three conceptions of sociomoral learning through narrative fiction
Literary stances | |||
---|---|---|---|
Themes | Efferent | Expressive | Critical-analytic |
Learning mechanism | Direct instructions about “right” and “wrong” behavior through literary examples and models | Imagination of the perspectives and emotions of fictional characters | Argumentative dialogues with peers about initial responses to narrative fiction |
Developmental outcomes | Accumulation of abstract moral propositions; culturally conforming social behavior | ToM, empathy | Social reasoning, interpersonal competences |
Type of narrative fiction | “Classic” stories with straightforward moral messages | Narrative fiction of high literary quality (literary fiction) | Narrative fiction with complexity and ambiguity |
Instructional principles | Strong didactic guidance toward a single "right" text interpretation | Eliciting spontaneous and individual responses to literary fiction through creative tasks and peer dialogues | Supporting argumentative dialogues with peers; critical examination of initial responses |
Educational relationships | Asymmetric and hierarchical text-child and adult–child relationships; adults as moral experts, children as moral novices | Symmetric adult–child relationships; peers as important source for sociomoral learning | Symmetric and flexible power relationships in the classroom; peers as important source for sociomoral learning |