Table 2.
Methodological approaches to constructing composite narratives
Methodological approach | Examples | Data collection method (Participant numbers) |
Features of composite narrative(s) |
---|---|---|---|
Ethnography | Piper and Sikes [24] |
Narrative interviews Written narratives (n = 25+) |
‘Composite fictions’ First-person account with characters, settings, context, and plots created to protect identities of participants |
Phenomenology | Biglino et al. [37] |
Creative writing, drawing, audio recordings of workshop (n = 5) |
First-person narrative Three research group members each produced a composite narrative, these were combined to produce a single final narrative |
Wertz et al. [18] |
Interviews Nosek (n = 19) Wertz (n = 15) Marlow (n = 17) McNeish (n = 15) |
First-person narratives Aim to convey both structure (narratives illustrate the main themes) and texture (richness of participants’ experiences) |
|
Narrative research | McElhinney and Kennedy [8] |
Interviews, Biographical written narrative, Autoethnography (n = 9) |
First-person narratives Combined narrative data from participants with autoethnography, narrative arcs, phraseology and style of individual narratives incorporated |
Willis [39] |
Interviews (n = 14) |
Third-person narratives Descriptions of interviews with composite characters. Direct quotations from transcripts incorporated into narratives |
|
Taber [38] |
Interviews (life history research) (n = 3) |
First-person narrative Combined text from all interview transcripts to create a composite |
|
Qualitative framework analysis | Creese et al. [11] |
Interviews (n = 48) |
Third-person narratives Scaffolded by theoretical framework |
Grounded theory | Johnston, Wildy & Shand [33] |
Interviews (n = 25) |
First-person narratives 24 narratives produced, one to illustrate each of the findings |