Skip to main content
NCBI home page
Journal of the Royal Society of Medicine logoLink to Journal of the Royal Society of Medicine
. 1999 Nov;92(11):571–575. doi: 10.1177/014107689909201108

Variations on the musical brain.

J D Warren 1
PMCID: PMC1297432  PMID: 10703494

Full text

PDF
571

Selected References

These references are in PubMed. This may not be the complete list of references from this article.

  1. Bara-Jimenez W., Catalan M. J., Hallett M., Gerloff C. Abnormal somatosensory homunculus in dystonia of the hand. Ann Neurol. 1998 Nov;44(5):828–831. doi: 10.1002/ana.410440520. [DOI] [PubMed] [Google Scholar]
  2. Berrios G. E. Musical hallucinations. A historical and clinical study. Br J Psychiatry. 1990 Feb;156:188–194. doi: 10.1192/bjp.156.2.188. [DOI] [PubMed] [Google Scholar]
  3. Bever T. G., Chiarello R. J. Cerebral dominance in musicians and nonmusicians. Science. 1974 Aug 9;185(4150):537–539. doi: 10.1126/science.185.4150.537. [DOI] [PubMed] [Google Scholar]
  4. Brust J. C. Music and language: musical alexia and agraphia. Brain. 1980 Jun;103(2):367–392. doi: 10.1093/brain/103.2.367. [DOI] [PubMed] [Google Scholar]
  5. Byrnes M. L., Thickbroom G. W., Wilson S. A., Sacco P., Shipman J. M., Stell R., Mastaglia F. L. The corticomotor representation of upper limb muscles in writer's cramp and changes following botulinum toxin injection. Brain. 1998 May;121(Pt 5):977–988. doi: 10.1093/brain/121.5.977. [DOI] [PubMed] [Google Scholar]
  6. Elbert T., Pantev C., Wienbruch C., Rockstroh B., Taub E. Increased cortical representation of the fingers of the left hand in string players. Science. 1995 Oct 13;270(5234):305–307. doi: 10.1126/science.270.5234.305. [DOI] [PubMed] [Google Scholar]
  7. Evers S., Dannert J., Rödding D., Rötter G., Ringelstein E. B. The cerebral haemodynamics of music perception. A transcranial Doppler sonography study. Brain. 1999 Jan;122(Pt 1):75–85. doi: 10.1093/brain/122.1.75. [DOI] [PubMed] [Google Scholar]
  8. Fry H. J. Overuse syndrome in musicians: prevention and management. Lancet. 1986 Sep 27;2(8509):728–731. doi: 10.1016/s0140-6736(86)90242-4. [DOI] [PubMed] [Google Scholar]
  9. Fry H., Hallett M. Focal dystonia (occupational cramp) masquerading as nerve entrapment or hysteria. Plast Reconstr Surg. 1988 Nov;82(5):908–910. doi: 10.1097/00006534-198811000-00031. [DOI] [PubMed] [Google Scholar]
  10. García de Yébenes J. Did Robert Schumann have dystonia? Mov Disord. 1995 Jul;10(4):413–417. doi: 10.1002/mds.870100402. [DOI] [PubMed] [Google Scholar]
  11. Hallett M. The neurophysiology of dystonia. Arch Neurol. 1998 May;55(5):601–603. doi: 10.1001/archneur.55.5.601. [DOI] [PubMed] [Google Scholar]
  12. Henson R. A. Further observations on the neurology of music: musical notation and pitch discrimination. Br Med J. 1977 Apr 30;1(6069):1121–1125. doi: 10.1136/bmj.1.6069.1121. [DOI] [PMC free article] [PubMed] [Google Scholar]
  13. Henson R. A. Maurice Ravel's illness: a tragedy of lost creativity. Br Med J (Clin Res Ed) 1988 Jun 4;296(6636):1585–1588. doi: 10.1136/bmj.296.6636.1585. [DOI] [PMC free article] [PubMed] [Google Scholar]
  14. Ikoma K., Samii A., Mercuri B., Wassermann E. M., Hallett M. Abnormal cortical motor excitability in dystonia. Neurology. 1996 May;46(5):1371–1376. doi: 10.1212/wnl.46.5.1371. [DOI] [PubMed] [Google Scholar]
  15. Krause B. J., Schmidt D., Mottaghy F. M., Taylor J., Halsband U., Herzog H., Tellmann L., Müller-Gärtner H. W. Episodic retrieval activates the precuneus irrespective of the imagery content of word pair associates. A PET study. Brain. 1999 Feb;122(Pt 2):255–263. doi: 10.1093/brain/122.2.255. [DOI] [PubMed] [Google Scholar]
  16. Liégeois-Chauvel C., Peretz I., Babaï M., Laguitton V., Chauvel P. Contribution of different cortical areas in the temporal lobes to music processing. Brain. 1998 Oct;121(Pt 10):1853–1867. doi: 10.1093/brain/121.10.1853. [DOI] [PubMed] [Google Scholar]
  17. Mavlov L. Amusia due to rhythm agnosia in a musician with left hemisphere damage: a non-auditory supramodal defect. Cortex. 1980 Aug;16(2):331–338. doi: 10.1016/s0010-9452(80)80070-0. [DOI] [PubMed] [Google Scholar]
  18. Meierkord H., Shorvon S. Variations on a theme--singing as an epileptic automatism. J Neurol Neurosurg Psychiatry. 1991 Dec;54(12):1114–1116. doi: 10.1136/jnnp.54.12.1114. [DOI] [PMC free article] [PubMed] [Google Scholar]
  19. Newmark J., Hochberg F. H. Isolated painless manual incoordination in 57 musicians. J Neurol Neurosurg Psychiatry. 1987 Mar;50(3):291–295. doi: 10.1136/jnnp.50.3.291. [DOI] [PMC free article] [PubMed] [Google Scholar]
  20. PENFIELD W., PEROT P. THE BRAIN'S RECORD OF AUDITORY AND VISUAL EXPERIENCE. A FINAL SUMMARY AND DISCUSSION. Brain. 1963 Dec;86:595–696. doi: 10.1093/brain/86.4.595. [DOI] [PubMed] [Google Scholar]
  21. Pantev C., Oostenveld R., Engelien A., Ross B., Roberts L. E., Hoke M. Increased auditory cortical representation in musicians. Nature. 1998 Apr 23;392(6678):811–814. doi: 10.1038/33918. [DOI] [PubMed] [Google Scholar]
  22. Paulesu E., Harrison J., Baron-Cohen S., Watson J. D., Goldstein L., Heather J., Frackowiak R. S., Frith C. D. The physiology of coloured hearing. A PET activation study of colour-word synaesthesia. Brain. 1995 Jun;118(Pt 3):661–676. doi: 10.1093/brain/118.3.661. [DOI] [PubMed] [Google Scholar]
  23. Peretz I. Processing of local and global musical information by unilateral brain-damaged patients. Brain. 1990 Aug;113(Pt 4):1185–1205. doi: 10.1093/brain/113.4.1185. [DOI] [PubMed] [Google Scholar]
  24. Platel H., Price C., Baron J. C., Wise R., Lambert J., Frackowiak R. S., Lechevalier B., Eustache F. The structural components of music perception. A functional anatomical study. Brain. 1997 Feb;120(Pt 2):229–243. doi: 10.1093/brain/120.2.229. [DOI] [PubMed] [Google Scholar]
  25. Profita J., Bidder T. G. Perfect pitch. Am J Med Genet. 1988 Apr;29(4):763–771. doi: 10.1002/ajmg.1320290405. [DOI] [PubMed] [Google Scholar]
  26. Ridding M. C., Sheean G., Rothwell J. C., Inzelberg R., Kujirai T. Changes in the balance between motor cortical excitation and inhibition in focal, task specific dystonia. J Neurol Neurosurg Psychiatry. 1995 Nov;59(5):493–498. doi: 10.1136/jnnp.59.5.493. [DOI] [PMC free article] [PubMed] [Google Scholar]
  27. Roeser R. J., Daly D. D. Auditory cortex disconnection associated with thalamic tumor. A case report. Neurology. 1974 Jun;24(6):555–559. doi: 10.1212/wnl.24.6.555. [DOI] [PubMed] [Google Scholar]
  28. Ross E. D., Mesulam M. M. Dominant language functions of the right hemisphere? Prosody and emotional gesturing. Arch Neurol. 1979 Mar;36(3):144–148. doi: 10.1001/archneur.1979.00500390062006. [DOI] [PubMed] [Google Scholar]
  29. Schlaug G., Jäncke L., Huang Y., Steinmetz H. In vivo evidence of structural brain asymmetry in musicians. Science. 1995 Feb 3;267(5198):699–701. doi: 10.1126/science.7839149. [DOI] [PubMed] [Google Scholar]
  30. Sergent J. Music, the brain and Ravel. Trends Neurosci. 1993 May;16(5):168–172. doi: 10.1016/0166-2236(93)90142-9. [DOI] [PubMed] [Google Scholar]
  31. Sergent J., Zuck E., Terriah S., MacDonald B. Distributed neural network underlying musical sight-reading and keyboard performance. Science. 1992 Jul 3;257(5066):106–109. doi: 10.1126/science.1621084. [DOI] [PubMed] [Google Scholar]
  32. Sheehy M. P., Marsden C. D. Writers' cramp-a focal dystonia. Brain. 1982 Sep;105(Pt 3):461–480. doi: 10.1093/brain/105.3.461. [DOI] [PubMed] [Google Scholar]
  33. Storr A. The enigma of music. J R Soc Med. 1999 Jan;92(1):28–34. doi: 10.1177/014107689909200113. [DOI] [PMC free article] [PubMed] [Google Scholar]
  34. Takeuchi A. H., Hulse S. H. Absolute pitch. Psychol Bull. 1993 Mar;113(2):345–361. doi: 10.1037/0033-2909.113.2.345. [DOI] [PubMed] [Google Scholar]
  35. Wieser H. G., Hungerbühler H., Siegel A. M., Buck A. Musicogenic epilepsy: review of the literature and case report with ictal single photon emission computed tomography. Epilepsia. 1997 Feb;38(2):200–207. doi: 10.1111/j.1528-1157.1997.tb01098.x. [DOI] [PubMed] [Google Scholar]
  36. Wieser H. G., Mazzola G. Musical consonances and dissonances: are they distinguished independently by the right and left hippocampi? Neuropsychologia. 1986;24(6):805–812. doi: 10.1016/0028-3932(86)90079-5. [DOI] [PubMed] [Google Scholar]
  37. Wieser H. G. Musik und Gehirn. Schweiz Rundsch Med Prax. 1987 Feb 10;76(7):153–162. [PubMed] [Google Scholar]
  38. Wynn V. T. "Absolute" pitch--a bimensual rhythm. Nature. 1971 Apr 2;230(5292):337–337. doi: 10.1038/230337a0. [DOI] [PubMed] [Google Scholar]
  39. Zatorre R. J., Beckett C. Multiple coding strategies in the retention of musical tones by possessors of absolute pitch. Mem Cognit. 1989 Sep;17(5):582–589. doi: 10.3758/bf03197081. [DOI] [PubMed] [Google Scholar]
  40. Zatorre R. J. Intact absolute pitch ability after left temporal lobectomy. Cortex. 1989 Dec;25(4):567–580. doi: 10.1016/s0010-9452(89)80018-8. [DOI] [PubMed] [Google Scholar]

Articles from Journal of the Royal Society of Medicine are provided here courtesy of Royal Society of Medicine Press

RESOURCES