Table 2.
Subject | Age/Sex | Handedness | Musical Experience | Wada Dominance | Subdural Grid(s) | Stimulation Tasks |
---|---|---|---|---|---|---|
1 | 31M | Right | no musical training, amateur chorus singer | Left | Bilateral | SgS, RdP, RcL |
2 | 28F | Right | no formal musical training | Left | Right | SgS, RdP, RcL |
3 | 28F | Right | no formal musical training | Left | Bilateral | SgS, RdP, RcL, TM |
4 | 19M | Right | no formal musical training | Right | Left | SgS, RdP, RcL |
5 | 30F | Right | no formal musical training | Left | Right | SgS, RdP, RcL |
6 | 32M | Left | no formal musical training | Right | Left | SgS, RdP, RcL, HmM |
7 | 29M | Right | no formal musical training | Left | Left | SgS, RdP, RcL, HmM |
8 | 31M | Right | professional musician: piano player, band singer | Left | Right | SgS, RdP, RcL, HmM |
RdP --- reading of prose passages
RcL --- recitation of song lyrics
SgS ---singing of familiar songs
HmM --- humming of melodies
TM ---alternating tongue movements