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. 2012 Aug 14;7(8):e40689. doi: 10.1371/journal.pone.0040689

Complexity-Entropy Causality Plane as a Complexity Measure for Two-Dimensional Patterns

Haroldo V Ribeiro 1,*, Luciano Zunino 2,3, Ervin K Lenzi 1, Perseu A Santoro 1, Renio S Mendes 1
Editor: Luís A N u n e s Amaral4
PMCID: PMC3419253  PMID: 22916097

Abstract

Complexity measures are essential to understand complex systems and there are numerous definitions to analyze one-dimensional data. However, extensions of these approaches to two or higher-dimensional data, such as images, are much less common. Here, we reduce this gap by applying the ideas of the permutation entropy combined with a relative entropic index. We build up a numerical procedure that can be easily implemented to evaluate the complexity of two or higher-dimensional patterns. We work out this method in different scenarios where numerical experiments and empirical data were taken into account. Specifically, we have applied the method to Inline graphic fractal landscapes generated numerically where we compare our measures with the Hurst exponent; Inline graphic liquid crystal textures where nematic-isotropic-nematic phase transitions were properly identified; Inline graphic 12 characteristic textures of liquid crystals where the different values show that the method can distinguish different phases; Inline graphic and Ising surfaces where our method identified the critical temperature and also proved to be stable.

Introduction

Investigations related to the so called complex systems are widely spread among different scientific communities, ranging from physics and biology to economy and psychology. A considerable part of these works deals with empirical data aiming to extract patterns, regularities or laws that rule the dynamics of the system. In this direction, the concept of complexity measures often emerges. Complexity measures can compare empirical data such as time series and classify them in somewhere between regular, chaotic or random [1], while other complexity measures can differentiate between degrees of correlations [2]. Examples of these measures include algorithmic complexity [3], entropies [4], relative entropies [5], fractal dimensions [6], and Lyapunov exponents [7]. These seminal works are still motivating new definitions, and today there are numerous definitions of complexity, which have been successful applied to different areas such as medicine [8], [9], ecology [10][13], astrophysics [14][16], and music [17], [18].

It is surprising that this large number of complexity measures is mainly focused on one-dimensional data, while much less attention has been paid to two and higher-dimensional structures such as images. Naturally, there are few exceptions such as the work of Grassberger [19] and more recent Refs. [20][22], though some of the authors of these papers agree that a higher-dimensional approach still represents an open and subtle problem. Furthermore, as it was stated by Bandt and Pompe [23], most of the complexity measures depend on specific algorithms or recipes for processing the data which may also depend on tuning parameters. As a direct consequence, there are huge difficulties for reproducing previous results without the knowledge of details of the methods.

Bandt and Pompe not only raised this problem, but they also proposed an alternative method that tries to overcome the previous problems, introducing what they call permutation entropy – a natural complexity measure for time series. There are many recent applications of this new technique that confirm its usefulness [24][31]. In particular, Rosso et al. [1] have successful applied the Bandt and Pompe ideas together with a relative entropic measure [32] to differentiate chaotic time series from stochastic ones. They have constructed a diagram, which was first proposed by López-Ruiz et al. [33], (called as complexity-entropy causality plane) by plotting the relative entropic measure versus the permutation entropy. Intriguingly, chaotic and stochastic series are located in different regions of this representation space.

Here, we show that the complexity-entropy causality plane can be extended for higher-dimensional patterns. We apply this new approach in different scenarios related to two-dimensional structures and the results indicate that the method is very promising for distinguishing between two-dimensional patterns. The following sections are organized as follows. Section II is devoted to review briefly the properties of the permutation information-theory-derived quantifiers and the complexity-entropy causality plane, and also to define an appropriate way to generalize these definitions to higher-dimensional data. In Section III, we work out several applications based on numerical and empirical data. Section IV presents a summary of our results.

Methods

The ingenious idea of Bandt and Pompe [23] was to define a measure that may be easily applied to any type of time series. The method lies on associating symbolic sequences to the segments of the time series based on the existence of local order, and next, by using probability distribution associated to these symbols, to estimate the complexity quantifier. For purpose of definition, let us consider a time series Inline graphic composed by Inline graphic elements and also Inline graphic-dimensional vectors (Inline graphic) defined by

graphic file with name pone.0040689.e009.jpg

where Inline graphic. Next, for all the Inline graphic vectors, we evaluate the permutations Inline graphic of Inline graphic defined by Inline graphic. The Inline graphic possible permutations of Inline graphic will be the accessible states of the system, and for each state we estimate the ordinal pattern probability given by

graphic file with name pone.0040689.e017.jpg

where the symbol # stands for the number of occurrences of the permutation Inline graphic. Now, we can apply the ordinal patterns probability distribution, Inline graphic, to estimate a complexity measure based on some entropic formulation.

Before advancing, we note that the previous method may be extended to higher-dimensional data structures such as images. In order to do this, we consider that the system is now represented by a two-dimensional array Inline graphic of size Inline graphic. In analogy to the vector Inline graphic, we define Inline graphic matrices (Inline graphic) given by

graphic file with name pone.0040689.e025.jpg

where Inline graphic and Inline graphic. Next, for all these Inline graphic matrices, we evaluate the permutations Inline graphic Inline graphic of Inline graphic defined by Inline graphic. The system can now access Inline graphic states for which we calculate the probability distribution Inline graphic through the relative frequencies given by

graphic file with name pone.0040689.e035.jpg

For easier understanding, we illustrate this procedure for a small array in Fig. 1.

Figure 1. Schematic representation of the construction of the accessible states.

Figure 1

In this example we have a Inline graphic array (left panel) and we choose the embedding dimensions Inline graphic and Inline graphic. In the right panel we illustrate the construction of the states. We first obtain the sub-matrix corresponding to Inline graphic and Inline graphic that have as elements Inline graphic and, after sorting, this sub-matrix leads to the state “0132”. We thus move to next sub-matrix Inline graphic and Inline graphic which have the elements Inline graphic and that, after sorting, leads to the state “1023”. The last two remaining matrices lead to the states “1230” and “0132”. Finally, we estimate the probabilities Inline graphic, that are, Inline graphic, Inline graphic and Inline graphic which are then used in the equations (1) and (2), leading to Inline graphic and Inline graphic.

Naturally, the order procedure that defines the permutation Inline graphic is no longer unique as in the one-dimensional case. For instance, instead of ordering the elements of Inline graphic row-by-row, we could also order column-by-column. However, these other definitions will only change the “name” of the states in such a way that the set Inline graphic will remain unchanged. Thus, there is no lost of generalization in assuming a given order recipe for defining Inline graphic.

We note that this procedure is straightforward generalized to accomplish higher-dimensional structures (e.g., the volumetric brain images obtained via functional magnetic resonance imaging), and that it recovers the one-dimensional case by setting Inline graphic and Inline graphic. Here, for simplicity, we focus our analysis on two-dimensional structures.

The parameters Inline graphic and Inline graphic (known as embedding dimensions) play an important role in the estimation of the permutation probability distribution Inline graphic, since they determine the number of accessible states. In the one-dimensional case, it is usual to choose Inline graphic in order to obtain reliable statistics in the one-dimensional case (for practical purposes, Bandt and Pompe recommend Inline graphic [23]). For the two-dimensional case a similar relationship must hold, i.e., Inline graphic. To go further, we need to rewrite the entropic measures used in Refs. [1], [23]. The first one is called normalized permutation entropy [23] and it is obtained by applying the Shannon’s entropy to the probabilities Inline graphic, i.e.,

graphic file with name pone.0040689.e064.jpg (1)

where Inline graphic and Inline graphic. The value of Inline graphic is obtained by considering all the Inline graphic accessible states to be equiprobable, i.e., Inline graphic. By definition, Inline graphic, where the upper bound occurs for a completely random array. We expect Inline graphic for arrays that exhibit some kind of correlated dynamics.

The other measure [1] is defined by.

graphic file with name pone.0040689.e072.jpg (2)

where Inline graphic is a relative entropic metric between the empirical ordinal probability Inline graphic and the equiprobable state Inline graphic. The quantity Inline graphic is known as disequilibrium and it is defined in terms of the Jensen-Shannon divergence [34] (or also in terms of a symmetrized Kullback-Leibler divergence [35]) and can be written as

graphic file with name pone.0040689.e077.jpg (3)

where

graphic file with name pone.0040689.e078.jpg

is the maximum possible value of Inline graphic, obtained when one of the components of Inline graphic is equal to one and all the other vanish.

The disequilibrium Inline graphic quantifies the degree of correlational structures providing important additional information that may not be carried only by the permutation entropy. In addition, for a given Inline graphic value there exists a range of possible values for Inline graphic [36]. This is the main reason why Rosso et al. [1] proposed to employ a diagram of Inline graphic versus Inline graphic as a diagnostic tool, building up the complexity-entropy causality plane.

Results and Discussion

In the following, we will calculate the diagram of Inline graphic versus Inline graphic to measure the complexity and to distinguish among different two-dimensional patterns.

Fractal Surfaces

We generate fractal surfaces through the random midpoint displacement algorithm [37]. This algorithm starts with a square. For each vertex, we assign a random value representing the surface height. Next, we add a new point located at the center of the initial square. We set the height of this point equal to the average height of the previous four vertex plus a Gaussian random number with zero mean and standard-deviation Inline graphic. We also add four points located at the middle segments which connects each initial vertex. For these four points, the heights are equal to the average value between the two closest vertex and the middle point plus a Gaussian random number with zero mean and standard-deviation Inline graphic. Now, we imagine that these 9 points represent four new squares and, for each one, we apply the previous procedure using Inline graphic. By repeating this process Inline graphic times and using Inline graphic, we should obtain a square surface of side Inline graphic with fractal properties. Here, Inline graphic is the Hurst exponent and Inline graphic is the surface fractal dimension. Figure 2 shows several surfaces generated through this procedure for different values of Inline graphic.

Figure 2. Examples of fractal surfaces obtained through the random midpoint displacement method.

Figure 2

These are Inline graphic surfaces (Inline graphic) for different values of the Hurst exponent Inline graphic. For easier visualization, we have scaled the height of the surfaces in order to stay between Inline graphic and Inline graphic. We note that for small values of Inline graphic the surfaces display an alternation of peaks and valleys (anti-persistent behavior) much more frequent than those one obtained for larger values of Inline graphic. For larger values of Inline graphic, the surfaces are smoother reflecting the persistent behavior induced by the value of Inline graphic.

We apply our method for these surfaces aiming to verify how the permutation quantifiers Inline graphic and Inline graphic change with the Hurst exponent Inline graphic, as it is shown in Fig. 3. In these 3d plots, we show the localization in the causality plane obtained for different values of Inline graphic evaluated from Inline graphic surfaces (Inline graphic). In Fig. 3a, we use Inline graphic and Inline graphic (circles), and Inline graphic and Inline graphic (squares) as embedding dimensions. Note that the values of Inline graphic and Inline graphic are practically invariant under the rotation Inline graphic and Inline graphic. This invariance is related to the fact that in these fractal surfaces there is not preferential direction. In Fig. 3b, we employ Inline graphic and Inline graphic. We note basically the same dependence but a different range for Inline graphic and Inline graphic, since this change increases the number of accessible states. These results show that our method properly differentiates fractal surfaces concerning the Hurst exponent. Moreover, we investigate the robustness of the permutation quantifiers under several realizations of the random midpoint displacement algorithm and the results show that both indexes are very stable. For example, the standard-deviation in the values of Inline graphic and Inline graphic are usually smaller than Inline graphic when considering Inline graphic.

Figure 3. Dependence of the complexity-entropy causality plane on Hurst exponent h Inline graphic.

Figure 3

We have employed fractal surfaces of size Inline graphic (Inline graphic). In (a) we plot Inline graphic and Inline graphic versus Inline graphic for the embedding dimensions Inline graphic and Inline graphic (circles) and also for Inline graphic and Inline graphic (squares). We note the invariance of the index against the rotation Inline graphic and Inline graphic. In (b) we plot the diagram for Inline graphic. We observe changes in the scale of Inline graphic and Inline graphic caused by the increasing number of states. In both cases, as Inline graphic increases the complexity Inline graphic also increases while the permutation entropy Inline graphic decreases. This behavior reflects the differences in the roughness shown in Fig. 2. For values of Inline graphic the surface is anti-persistent which generates a flatter distribution for the values of Inline graphic leading to values of Inline graphic and Inline graphic closer to the aleatory limit (Inline graphic and Inline graphic). For values of Inline graphic there is a persistent behavior in the surfaces heights which generates a more intricate distribution of Inline graphic and, consequently, values of Inline graphic and Inline graphic that are closer to the middle of the causality plane (region of higher complexity).

Liquid Crystal Textures

Another interesting application is related to different patterns that a thin film of a liquid crystal exhibits. These textures are obtained by observing a thin sample of liquid crystal placed between two crossed polarizers in a microscope. The textures give useful information about the macroscopic structure of the liquid crystal. For instance, different phases have different typical textures, and by tracking their evolution one can properly identify the phase transition.

We first study a lyotropic liquid crystal under isotropic-nematic-isotropic phase transition. Figure 4 shows three snapshots of the texture at different temperatures. In this case, we clearly note the differences in the textures. The leftmost and rightmost textures are at the isotropic phase while the middle one is at the nematic phase. We observe that the pattern is very complex for the nematic phase, while for the isotropic one it is basically random.

Figure 4. Characteristic textures of a lyotropic liquid crystal at different temperatures and phases.

Figure 4

The lyotropic system used here is a mixture of potassium laurate Inline graphic, decanol Inline graphic and deuterium oxide Inline graphic – suitable concentrations in order to get a isotropic Inline graphic nematic Inline graphic isotropic phase sequence [38]. These images were constructed by observing the optical microscopy of a flat capillary which contains the mixture at different temperatures. Here, we have used the average value of the pixels of the three layers (RGB) of the original image and a rescaled temperature.

We calculate Inline graphic and Inline graphic as a function of the temperature for different values of the embedding dimensions, as it is shown in Fig. 5. In these plots, the different shaded regions represent the different liquid crystal phases. We note that the phase transitions are successful identified independently of Inline graphic and Inline graphic. However, Fig. 5c and 5d show a slight different dependence of Inline graphic and Inline graphic versus the temperature when considering Inline graphic and Inline graphic or Inline graphic and Inline graphic. Because the liquid crystal sample is placed in elongated capillary tube, there is a surface effect that act on the liquid crystal molecules. This effect is usually amplified at the phase transition and it is also the reason for differences between the embedding dimensions.

Figure 5. Dependence of the entropic indexes on the temperature of a lyotropic liquid crystal.

Figure 5

We plot Inline graphic versus the temperature in (a) and Inline graphic versus the temperature in (b), where we employ Inline graphic. Figures (c) and (d) present the results for Inline graphic and Inline graphic, and also for Inline graphic and Inline graphic. The different shaded areas represent the different liquid crystal phases. Note that the phase transitions are properly identified in all cases. Due to the asymmetry of the elongated capillary tube where the liquid crystal sample is placed, Inline graphic and Inline graphic present slight differences under the rotation Inline graphic and Inline graphic.

In this particular phase transition, the difference between the textures are large enough that it can be identified just by visual inspection. However, this is not the usual case and many phase transitions are very difficult to identify. In this context, an interesting question is whether our method can help to distinguish different phases. To address this question, we evaluate Inline graphic and Inline graphic for twelve characteristic textures of different liquid crystals. We download these textures from the webpage of the Liquid Crystal Institute at Kent State University [39] and Fig. 6 shows the value of Inline graphic and Inline graphic for each texture in the causality plane. The results allow to conclude that the method ranks the textures in a kind of complexity order where each characteristic texture occupies a different place in this representation space. Moreover, the different values of Inline graphic and Inline graphic indicate that the permutation quantifiers can also identify smooth phase transitions.

Figure 6. Complexity-entropy causality plane evaluated for several liquid crystal textures [[39]].

Figure 6

Here, we have used the averaged pixel values of the three layers (RGB) of the original image and Inline graphic and Inline graphic. The image sizes are about Inline graphic pixels. We note that each texture has a unique position in the causality plane which indicates that the permutation quantifiers are capable of differentiate not only transitions involving the isotropic phase, but also smoother phase transitions. We further observe that some high ordered phase such as the blue phase are located at the central part of the causality plane (region of higher complexity), while other phases which present a large number of defects such as the Smectic B and C are closer to the aleatory limit (Inline graphic and Inline graphic).

Naturally, the location of each texture in the causality plane should be related to physical properties of the liquid crystals. A better understanding of the relation between the permutation quantifiers and these physical attributes may deserves a more careful investigation since some properties of liquid crystals such as the order parameter can be quite hard to empirically measure. In this context, the existence of a clear relation between, for example, the order parameter and Inline graphic or Inline graphic will be experimentally handy. Here, we just have the pictures of the textures in such a way that is very hard to point out these relationships. However, a visual inspection of Fig. 6 suggests that some of the more ordered phases, such as the blue phase (this phase display a cubic structure of defects), are located in the central part of the causality plane (region of higher complexity), while other textures which present a large number of non-ordered defects, such as the Smectic B and C, are positioned closer to the aleatory limit (Inline graphic and Inline graphic). Thus, it seems that the permutation quantifiers are capturing in somehow the competition between the orientational order of the phase and, also, the number of defects present in the textures.

Ising Surfaces

As a last application, we study the permutation measures Inline graphic and Inline graphic applied to Ising surfaces [40], [41]. These surfaces are obtained by accumulating the lattice spin values Inline graphic of the Ising model defined by the Hamiltonian.

graphic file with name pone.0040689.e200.jpg (4)

where the sum is over all the pairs of first neighbor sites in the lattice. We numerically solve this spin-Inline graphic Ising model on a Inline graphic lattice using the Monte Carlo method with periodic boundary conditions. By using the spin values, we define the surface height for each lattice site Inline graphic as

graphic file with name pone.0040689.e204.jpg (5)

where Inline graphic represents the number of Monte Carlo steps. In Fig. 7, we show three surfaces obtained though this procedure for different values of the reduced temperature Inline graphic, where Inline graphic is the critical temperature of the model. We note the complex pattern exhibited by the surface for Inline graphic, and the almost random patterns for Inline graphic and Inline graphic.

Figure 7. Examples of Ising surfaces for three different temperatures.

Figure 7

These surfaces were obtained after Inline graphic Monte Carlo steps for three different temperatures: below Inline graphic, at Inline graphic and above Inline graphic. In these plots, the height values were scaled to stay between Inline graphic and Inline graphic. We note that for temperatures higher or lower than Inline graphic, the surfaces exhibit an almost random pattern. For values of the temperature closer to Inline graphic the surfaces exhibit a more complex pattern, reflecting the long-range correlations that appear among the spin sites during the phase transition.

We first investigate the dependence of Inline graphic and Inline graphic on the reduced temperature Inline graphic after a large number of Monte Carlo steps (Inline graphic) and for Inline graphic. Figures 8a and 8b show Inline graphic and Inline graphic for Inline graphic and Inline graphic, and for the rotation Inline graphic and Inline graphic. We note that, at the critical temperature, both indexes display a sharp peak and that they are invariant under the rotation. Moreover, Fig. 8c presents a 3d visualization of the phase transition for Inline graphic. This higher-dimensional representation can be useful when investigating more complex phase transitions, since a greater number of degrees of freedom allows the critical point to be more visible.

Figure 8. Dependence of the entropic indexes on the reduced temperature for Ising surfaces.

Figure 8

(a) The permutation entropy Inline graphic and (b) the complexity measure Inline graphic versus the reduced temperature for Inline graphic and Inline graphic, and also for Inline graphic and Inline graphic. We note invariance of indexes under the rotation Inline graphic and Inline graphic. (c) A 3d visualization of the Ising model phase transition when considering Inline graphic. The gray shadows represent the dependences of Inline graphic on Inline graphic and of Inline graphic on Inline graphic.

We further study the temporal evolution of Inline graphic and Inline graphic for different reduced temperatures, as it is shown in Fig. 9. The initial values of the spins were chosen equal to Inline graphic and, as we can see, the values for Inline graphic and Inline graphic are different just after one Monte Carlo step. For Inline graphic, the value of Inline graphic increases over time and around Inline graphic it reaches a plateau. For Inline graphic, the value of Inline graphic increases up to a maximum value around Inline graphic and then starts to approach a lower plateau value. A striking behavior is observed for Inline graphic, where for all temperatures the complexity displays a maximum value before it begins to approach a plateau value. It is worth noting that both quantifiers are very stable after Inline graphic Monte Carlo steps.

Figure 9. Dependence of the entropic indexes on the number of Monte Carlo steps.

Figure 9

Here, Inline graphic denotes the number of Monte Carlo steps and the reduced temperatures are indicated in the plots. In (a) we show Inline graphic versus Inline graphic and in (b) Inline graphic versus Inline graphic for Inline graphic. We note the stability of both indexes after Inline graphic Monte Carlo steps.

Conclusions

We have proposed a generalization of the complexity-entropy causality plane to higher-dimensional patterns. We applied this approach to fractal surfaces, liquid crystal textures and Ising surfaces. It was shown that the indexes Inline graphic and Inline graphic performed very well for distinguishing between the different roughness of the fractal surfaces. The indexes properly identified the phase transitions of a lyotropic liquid crystal and sorted different characteristic textures in a kind of complexity order. Finally, concerning the Ising surfaces, the indexes not only had identified the critical temperature, but also proved to be stable after Inline graphic Monte Carlo steps. The method also has a very fast and simple numerical evaluation. Taking into account all these findings, we are very optimist that our method can reduce the gap between one-dimensional complexity measures and the higher-dimensional ones.

Funding Statement

This work has been supported by the agencies Conselho Nacional de Desenvolvimento Científico e Tecnológico, Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), and Consejo Nacional de Investigaciones Científicas y Técnicas. HVR also thank the financial support of CAPES (Grant 5678-11-0). The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.

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