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Acta Crystallographica Section A: Foundations and Advances logoLink to Acta Crystallographica Section A: Foundations and Advances
. 2020 Mar 26;76(Pt 3):302–317. doi: 10.1107/S2053273320002521

Texture corrections for total scattering functions

Antonio Cervellino a,*, Ruggero Frison b
PMCID: PMC7233016  PMID: 32356781

The Debye scattering equation (DSE) is generalized and augmented in order to account for moderate texture effects, yielding the differential cross section as a function of atomic coordinates and texture coefficients subject to symmetry constraints. Implications for the evaluation of the pair distribution function (PDF) as a direct transform of powder diffraction data from textured samples are also discussed.

Keywords: Debye scattering equation, texture, pair distribution function

Abstract

Many functional materials are today synthesized in the form of nanoparticles displaying preferred orientation effects to some small or large extent. The analysis of diffraction data of such kinds of systems is best performed in the framework of the total scattering approach that prescinds from translation symmetry assumptions. Therefore modified expressions were derived for the most common total scattering functions, in particular the Debye scattering equation (DSE) which yields the texture-averaged differential cross section as a function of atomic coordinates and texture parameters. The modified DSE encodes higher-order even spherical Bessel functions which account for the texture effect. Selection rules arising from experimental geometries and symmetries are discussed. In addition the duality of the texture effect is introduced showing the effects of texture on both the I(Q) and Inline graphic. The paper includes several definitions and appendices which are meant to be useful for those involved in the development of crystallographic computing.

1. Introduction  

Preferred orientation (texture) is a complex effect that bridges powder diffraction to single-crystal diffraction. In recent years in materials science there has been an increasing trend towards the synthesis and subsequent analysis of materials displaying only partial order, often in the nanometre length scale in the form of nanoparticles (Tekumalla et al., 2019), thin films (Rijckaert et al., 2018; Dippel et al., 2019), or fibre-textured materials that are bone-like (Tan et al., 2019) or wood-like (Lagerwall et al., 2014). The analysis of these kinds of materials is best performed within the framework of the total scattering approach that prescinds from periodicity and therefore avoids Bragg formalism, yet provides quantitative information on the structural parameters as well as on the size and shape of the scattering domain (Guagliardi et al., 2015).

While intensity corrections for Bragg intensities are known (Roe, 1965; Bunge, 1982; Popa, 1992), within the total scattering approach the problem of evaluating the Inline graphic and Inline graphic functions in the presence of texture has never been quantitatively tackled. Only some generalities have been presented in a preprint by Gong & Billinge (2018). Therefore this paper deals with computation, via an extended Debye scattering equation [concisely DSE in this paper; see Debye (1915)], of 1D powder diffraction patterns obtained from crystalline powders having a non-uniform orientation distribution function (ODF hereafter). We will remain in the realm of ‘textured powders’ or powders with a weak to strong preferred orientation, but not so strong as to be better defined as mosaic crystal sets. A complete treatment in the framework of spherical harmonics for the most common powder diffraction geometries is presented. The differential cross section I(Q) can be computed by an extended version of the DSE comprising now sums over spherical Bessel functions of all (even) orders. Selection rules arising from symmetries and explicit expressions for the most common experimental geometries are given. Concerning the Inline graphic, the effects of texture result in a fundamental indetermination which has important consequences that we will discuss towards the end. We will start appropriately by defining terms we use, although some of them may be familiar to some readers, and giving a brief recall of the part of the scattering theory relevant in this context (Section 2); in Section 3 the definition of the analytic problem and its solution are given. Section 4 deals with related computation aspects. In Section 5 the effects of texture on the pair distribution function are examined. Section 6 shows several example calculations and finally Section 7 is devoted to brief conclusions. Some useful mathematical functions (Appendix A ) and computing details (Appendix B ) are also reported.

1.1. Some definitions  

(i) Atomic object (AO) is a set of atoms rigidly bound together, constituting a particle, a nanoparticle, a molecule, a nanowire, a nanocrystal (NC) etc.

(ii) Powder is an ensemble of a large number of identical AOs constrained in a given volume and assuming all possible orientations in space with a certain probability density. In an ideal powder the orientation probability distribution function is uniform and isotropic, but in reality there are many cases where it is not so.

(iii) Symmetry is the point (or Laue) symmetry group of the AO considered as a whole – also (and especially) when the object is a (perhaps small) portion of a perfect crystal. In fact, translational symmetry cannot apply to a limited object. The crystal point-group symmetry is the maximal possible symmetry group of the AO, even if the external shape would be more symmetric. So, a cubic cutout of a monoclinic crystal may be at most monoclinic, and only if one of the cube axes coincides with the monoclinic twofold axis.

1.2. Additional considerations  

It must be also clear that, while the diffraction pattern of an ideal powder is essentially 1D (because the intensity in reciprocal space varies only radially), a non-ideal powder, i.e. with a non-uniform ODF (or textured powder), has full 3D dependence in reciprocal space. In fact, in an extreme case, all AOs might be parallel and co-aligned, and if they were to be NC, the pattern would be essentially that of a single crystal. This might entail the need to measure it almost like a single crystal. We are interested mainly in the case where the uniformity of the ODF is only lightly perturbed. Then it still makes sense to measure the powder as such, with one of the traditional geometries (as discussed later). The variable in the patterns thus measured is the deflection angle Inline graphic, or better the transferred momentum magnitude Inline graphic [or Inline graphic], where λ is the incident wavelength. As the differential scattering cross section for textured powders is not only a function of q but in general of the vector Inline graphic, the experimental geometry is essential in order to take into account texture effects. In particular, we must take into account additional symmetries arising from the sample nature and/or special averaging means applied. In many geometries, for instance, it is customary to rotate the sample around an axis while the measurement is taken; this will of course affect the texture, reducing it as a single axis rotation performs a partial orientation averaging. Therefore, we must specialize the concept of symmetry into two kinds: object symmetry which is the one defined in Section 1.1 at point (iii); sample symmetry which is the one defined just above. Clearly, the geometric relationship between the symmetry elements of the two kinds is important and needs to be specified.

2. Scattering theory  

Take an AO composed of N atoms indexed with Inline graphic, each centred at positions Inline graphic and each with isotropically variable spatial distributions Inline graphic of scattering length around Inline graphic. Hereafter, a vector is denoted in bold and its length in italic (e.g. Inline graphic). We assume from here on that the coordinate system is chosen so that the main symmetry axes are along the coordinate axes. The scattering length density is then

2.

Its Fourier transform is easily evaluated as

2.

where we have set

2.

The scattering factors Inline graphic are known and tabulated functions for all atoms and ions and for X-rays as well as for neutrons and electrons (disregarding the weak perturbations due to the atomic environment). The common feature is that they are complex-valued but isotropic in reciprocal space. This is a consequence of the isotropy in direct space of the associated scattering length densities.

The differential elastic coherent scattering cross section Inline graphic is now proportional to the square modulus of Inline graphic, giving

2.
2.
2.
2.

Note that, of the three resulting terms, (i) the term in equation (2), the self-scattering, is isotropic (depends only on q) because (as it is often assumed) the atomic scattering length densities are isotropic. Therefore this term does not change if the ODF is not uniform. (ii) The term in equation (3), let us name it principal scattering, is even in Inline graphic. (iii) The term in equation (4), for us secondary scattering, is odd in Inline graphic.

We shall be neglecting in the following the secondary scattering in expression (4). There are several reasons for that. First, let us look at the magnitude of the scattering factor products. In the X-ray case, we have Inline graphic, where Inline graphic (real) is the true elastic scattering term, depending only on q and at small q we have Inline graphic (the atomic number), whilst Inline graphic constitute the anomalous scattering factor part (real and imaginary parts), caused by the atomic electron binding, constant with respect to q and varying only with the wavelength. For reference and databases of atomic scattering factors see Thompson & Vaughan (2009), Cullen et al. (1997), Waasmaier & Kirfel (1995), Chantler et al. (2005), Chantler (1995, 2000). In standard conditions (far from elemental absorption edges) the ratios Inline graphic and Inline graphic are small. Then

2.
2.

and it is clear that the imaginary part is small. Only in special conditions can the Inline graphic or Inline graphic become large. Second, note that if the atomic species of the jth and kth atoms are the same clearly Inline graphic, implying that the only contributing terms come from interatomic vectors linking atoms of different species. In mono-atomic samples the secondary scattering will always be zero. Third, consider the degree of preferred orientation. We range from ideal powder to single crystals, with many intermediates. Any even partial ODF averaging that mixes up Inline graphic and Inline graphic will cancel partly or totally the secondary scattering. When the ODF is uniform (ideal powders), the odd sine terms average to exactly zero. This paper deals mainly with non-ideal powders, where the ODF is not uniform but also not as sharp as in a single crystal. For this reason, in most cases the secondary scattering can be neglected and one can assume that Inline graphic is an even function of Inline graphic. This has important consequences for the ODF averaging.

We mention in passing that, as it must be, the effect in single crystals has been noted [Friedel pairs (Friedel, 1913)] and exploited for phasing (see Bijvoet et al., 1951). Moreover, this scattering contribution can be exploited in resonant conditions, that is, whenever the wavelength can be chosen so as to maximize it.

For completeness, we also give the inverse Fourier transform of equation (1) as it represents the pair correlation of the scattering density:

2.
2.

We now deal with evaluating the orientation average of terms like the sum in equation (3) when the ODF is not uniform (texture).

We shall follow the fundamental treatment of texture expressed in the basis of spherical harmonics, as in Roe (1965) and Bunge (1982). For a detailed comparison of these two fundamental references see Esling et al. (1982). A new method has recently been presented (Mason & Schuh, 2008, 2009), using the quaternion (axis–angle) parameterization (Morawlec & Pospiech, 1989; Kazantsev et al., 2009; Karney, 2007; Bernstein et al., 2005; Bernstein & Schaeben, 2005) for 3D rotations instead of the less intuitive Euler matrices. We will not deal with this approach in this paper. A very important paper for the treatment of symmetry is that by Popa (1992), refined by Popa (2008); well-known references are also Järvinen (1993) and Von Dreele (1997). Special function definitions are taken from Nikiforov & Uvarov (1988) and Olver et al. (2009).

3. ODF formalism  

An ODF

3.

is a function of three Euler angles. Let also

3.

be the Euler matrix corresponding to a rotation of Inline graphic around the z axis, followed by a rotation of Ψ around the y axis, followed by a rotation of Inline graphic around the new z axis. An ODF is normalized to have unit average:

3.

so that Inline graphic is a probability density. The uniform isotropic case is when Inline graphic. The ODF-weighted average of the principal scattering, the meaningful part of the differential cross section, as in equation (3), becomes

3.

where

3.

3.1. Uniform isotropic ODF case – the DSE  

In the uniform isotropic case (Inline graphic), it is simple to verify that

3.1.

where

3.1.

is the spherical Bessel function of 0 order [for definitions an excellent online reference is Olver et al. (2009)]. In this simplest, and fortunately very frequent, case, the expression of the orientation-averaged differential cross section of our AO is simply

3.1.

which is the well-known DSE, first presented by Debye (1915).

3.2. Arbitrary ODF case  

In more complex cases we first have to make one further simplification. If

3.2.

and

3.2.

this still does not fully determine the Euler angles Inline graphic. In fact, a further rotation around Inline graphic is possible. This does not affect anything, of course; therefore it is convenient to average it out. It is possible (see Roe 1965; Bunge, 1982) to expand g in generalized spherical harmonics (GSH), whose definition we take from Nikiforov & Uvarov (1988):

3.2.

and we note conditions (Nadeau & Ferrari, 2003)

3.2.

(where the second inequality is just an upper bound, as tighter bounds are very difficult to compute in general) and then we execute the averaging of rotations around Inline graphic (cf. Roe, 1965; Bunge, 1982):

3.2.

where Inline graphic are ordinary spherical harmonics (SPH). There are unfortunately many definitions used in various fields; the definition used here (and a comparison with other common definitions) is given in Appendix A . They are complex functions:

3.2.

where for convenience we define

3.2.

where the associated Legendre functions Inline graphic are defined in Section A2. It is also convenient to use the plane-wave expansion in spherical harmonics,

3.2.
3.2.

or [using the SPH addition theorem, see e.g. Arfken (1985)]

3.2.
3.2.

where, if we express Inline graphic in polar coordinates

3.2.

we can write

3.2.

Now we integrate over Inline graphic:

3.2.
3.2.

3.3. Symmetry constraints  

The theory of symmetry constraints on the complex coefficients Inline graphic has been developed by Bunge (1982). A very clear and concise derivation is also found in Popa (1992) (with several small imprecisions), Järvinen (1993), Von Dreele (1997) and Popa (2008). In fact, we have already exploited the fact that Inline graphic is real and centrosymmetric [i.e. Inline graphic]. We can still exploit the fact that g, and therefore also Inline graphic, is real.

Define thus the real spherical harmonics Inline graphic:

3.3.

In terms of the Inline graphic functions [equation (15)] we have the compact forms

3.3.

Now we can rewrite

3.3.

where Inline graphic are now real coefficients.

We will expand now on symmetry conditions as from Bunge (1982) and Popa (1992).

3.4. Sample symmetry  

In the three most used experimental geometries for powder diffraction (DS or Debye–Scherrer with rotating capillary, BB or Bragg–Brentano with flat spinning plate, FP or flat-plate in transmission with frontal 2D detector; see Fig. 1) we can assume cylindrical sample symmetry. In the first two cases this is due to the sample spinning around an axis which is then automatically the cylindrical symmetry axis; for FP, cylindrical symmetry ensues from integrating the Scherrer rings on the detector (or possibly, the flat plate could be made to rotate around the beam axis).

Figure 1.

Figure 1

(Top) Debye–Scherrer (capillary) geometry; (middle) Bragg–Brentano (symmetric reflection) geometry; (bottom) flat-plate with frontal 2D detector (transmission) geometry.

We always set the z axis along the cylinder axis. Then in the three cases, as is evident from Fig. 1,

3.4.
3.4.

Then, as for cylindrical symmetry, the only allowed value is always Inline graphic,

3.4.

Here we used the identity Inline graphic. For the three geometries (DS, BB, FP) here considered:

Case DS:

3.4.

Case BB:

3.4.

Case FP:

3.4.

Here we used the even parity of the even Legendre polynomials Inline graphic and Bragg’s law Inline graphic.

Given the obvious constraint Inline graphic, we can extract the Inline graphic term and simplify the rest. We define another quantity for convenience:

3.4.

Now we have for DS:

3.4.

For BB:

3.4.

For FP:

3.4.

3.5. AO symmetry  

If the atom cluster has additional symmetries, also the sum over m can be reduced due to additional constraints (Bunge, 1982; Popa, 1992). Let us explore the constraints for classical non-cubic crystal symmetries.

3.5.1. One axis  

With one symmetry axis only of order r (Inline graphic, for Laue groups Inline graphic, Inline graphic, Inline graphic, Inline graphic, respectively), supposedly oriented along z, we have that some of the Inline graphic (Inline graphic) coefficients are zero. In particular, the surviving ones are

3.5.1.

3.5.2. Two axes  

With one symmetry axis of order r (Inline graphic), supposedly oriented along z, and an additional twofold axis orthogonal to it, we have, additionally to the former condition, that, for Inline graphic, if m even (Inline graphic),

3.5.2.

and if m odd (Inline graphic),

3.5.2.

i.e. only the cosine terms survive when m is even (respectively, the sine terms when m is odd). The results are summarized in Table 1.

Table 1. Symmetry rules for the 11 crystallographic Laue groups plus the cylinder group.

Top part: For all non-cubic groups, where symmetry causes just a decimation of the coefficients Inline graphic, entries 0, + or − indicate if, for the selected |m| value (and of course for each l = 2p > |m|), the coefficients Inline graphic, Inline graphic, Inline graphic, respectively, are allowed to take nonzero values. Bottom part: For cubic groups, only linear combinations of cubic harmonics Inline graphic are allowed; for each l = 2p, the possible cubic angular functions (if any) are shown.

Inline graphic 0 1 2 3 4 5 6 7 8 9 10 11 12
Inline graphic Inline graphic Triclinic 0 ± ± ± ± ± ± ± ± ± ± ± ±
Inline graphic 2/m Monoclinic 0   ±   ±   ±   ±   ±   ±
Inline graphic mmm Orthorhombic 0   +   +   +   +   +   +
Inline graphic Inline graphic Trigonal 1 0     ±     ±     ±     ±
Inline graphic Inline graphic Trigonal 2 0         +         +
Inline graphic 4/m Tetragonal 1 0       ±       ±       ±
Inline graphic 4/mmm Tetragonal 2 0       +       +       +
Inline graphic 6/m Hexagonal 1 0           ±           ±
Inline graphic 6/mmm Hexagonal 2 0           +           +
Inline graphic ∞/m Cylindrical 0                        
Inline graphic 1 2 3 4 5 6 7 8 9 10 11 12
Inline graphic (tetrahedral) Inline graphic Cubic I       Inline graphic   Inline graphic   Inline graphic   Inline graphic   Inline graphic
                Inline graphic       Inline graphic   Inline graphic
                            Inline graphic
Inline graphic (octahedral) Inline graphic Cubic II       Inline graphic   Inline graphic   Inline graphic   Inline graphic   Inline graphic
                            Inline graphic

3.5.3. Three axes  

This is the cubic case. Symmetrized harmonics for this case are not simply an appropriate subset of the real harmonics Inline graphic; we must form appropriate linear combinations of them (with fixed l, of course). The original derivation is due to von der Lage & Bethe (1947). Equation (31) will be changed into

3.5.3.

where Inline graphic is a (small) number of allowed terms for each p. Denote these so-called cubic harmonics as Inline graphic, where Inline graphic is simply a counter. Two Laue groups belong to the cubic case, Inline graphic and Inline graphic. For the first, conditions as for group Inline graphic hold; for the second, conditions as for group Inline graphic hold. Additionally, for both, we must add the condition (Popa, 1992)

3.5.3.

For Inline graphic no terms are present. For Inline graphic, for both groups Inline graphic and Inline graphic, we have one term (polar angle θ, azimuth ϕ):

3.5.3.

where the X functions are defined in equation (15). For Inline graphic, for Inline graphic, we have one term (polar angle θ, azimuth ϕ):

3.5.3.

and for group Inline graphic there is additionally

3.5.3.

For Inline graphic, for Inline graphic as well as for group Inline graphic, we have just one term:

3.5.3.

For Inline graphic, for Inline graphic, we have one term (polar angle θ, azimuth ϕ):

3.5.3.

and for group Inline graphic there is additionally

3.5.3.

For Inline graphic, for Inline graphic, we have two terms (polar angle θ, azimuth ϕ):

3.5.3.
3.5.3.

and for group Inline graphic there is additionally

3.5.3.

All cubic harmonics above are orthonormal.

4. Computation  

The computation of the classical Debye scattering equation is made much easier by using the Gaussian sampling method (see Cervellino et al., 2006; Guagliardi et al., 2015). We briefly recall its principle. Firstly, we assume that either the system is mono-atomic, or the sum over atom pairs in equation (8) has been split into parts corresponding to each pair of atomic species. In this way we can factor out the possibly q-dependent scattering length products Inline graphic, that would then be multiplied after evaluating the partial sums over different pairs, to be finally summed at the very end. So in this part we will omit the scattering length products.

Given an interatomic distance Inline graphic, its contribution to the powder pattern is Inline graphic. As the Inline graphic values are a huge number (the square of the number of atoms in the AO) and they are all concentrated in a finite interval Inline graphic, with D the diameter (or maximal linear dimension) of the AO, it pays to consider only a discrete and uniformly spaced set of distances Inline graphic with appropriately chosen weights Inline graphic and then compute the pattern as

4.

instead of a much larger sum over terms like in equation (12). Recalling briefly the procedure, each term is replaced by

4.

Here, Inline graphic is the nearest integer to x; Inline graphic is a correction factor; Inline graphic is a numerical constant; ζ is an integer (typically ζ = 30 to 60) such that (numerically) Inline graphic can be considered negligibly small. The second Gaussian centred at Inline graphic is almost always negligible except when m is close to 0. Finally, the parameter Δ, the sampling step, must be chosen so that Inline graphic, where Inline graphic is the maximum momentum transfer value in the pattern to be calculated; a numerically safe choice is Inline graphic. The Whittaker–Nyquist–Kotelnikov–Shannon upper limit for the sampling step (Shannon, 1949) is also Inline graphic (see Guagliardi et al., 2015; Cervellino et al., 2016). Hence, this is the most efficient approximate method with negligible error (practically zero). Values of Δ ranging from 1 to 0.03 Å cover most imaginable powder diffraction experimental conditions with neutrons and X-rays. For an exhaustive derivation see Cervellino et al. (2006). When adding more contributions to the pattern, the q-dependent factor Inline graphic can be omitted and left to be multiplied at the end. The contributions from different distances can be summed on the Inline graphic grid and the pattern is built by accumulation, resulting in the Inline graphic that multiply the Inline graphic contributions in equation (36).

It is clear that such computational advantage can be preserved in the extended form. We now will explain how the procedure must be modified.

We rewrite here the sum equation (8) [assuming equation (10)] in a more convenient way,

4.

where the set of interatomic vectors Inline graphic has been split into Inline graphic equivalence classes of interatomic vectors having the same length, each Inline graphicth class defined as Inline graphic, Inline graphic. The Inline graphic terms to be computed (or sampled) are only those containing the Inline graphic in argument. Each of them is weighted by Inline graphic, each being the number of Inline graphic within the Inline graphicth equivalence class.

When having to compute superior orders, like in equations (32), (33) or (34), or the functions defined in Section 3.5.3, the same equivalence classes define the Inline graphic terms to be computed. Only the corresponding weights become more complex. In fact, now they depend also on the direction vectors Inline graphic belonging to the corresponding class, through the real SPH Inline graphic. There one just needs to follow the relevant equation. We give next, however, some indication on how to compute economically the angular dependent terms.

4.1. Angular functions computation  

Take a distance vector Inline graphic belonging to one of the equivalence classes defined above. Let

4.1.

[cf. equation (13)] given both in polar and in Cartesian coordinates with respect to the appropriate reference system. Defining for convenience

4.1.

we can write the following interrelations:

4.1.
4.1.
4.1.

These are the only necessary relationships. For completeness we give the expressions for the angular values of Inline graphic, even if they are not necessary:

4.1.
4.1.

where of course Inline graphic.

The direct values of the angles are not necessary because in equation (24) the spherical harmonics depend only on sines and cosines of Inline graphic and of their integer multiples. The latter can be most conveniently computed by using the relations

4.1.

involving the Chebyshev polynomials of the first kind Inline graphic (Wolfram Research Inc., 2001a ) and those of the second kind Inline graphic (Wolfram Research Inc., 2001b ). These are very conveniently and efficiently evaluated by recurrence relations. This is detailed in Section B2. Moreover, Section B1 deals with the case – frequent in this context – where only odd or even terms must be used. So all computations can be performed without using any direct or inverse trigonometric functions. This enhancement is used to great effect in the DEBUSSY software suite (Cervellino et al., 2015), greatly speeding up computations of the DSE.

5. Direct-space direct transforms  

By means of a specialized Fourier transform of a powder diffraction pattern, it is possible to obtain a pattern in direct space, with a single radial coordinate r, showing a sharp peak wherever there are interatomic distances equal to r, whose height is related to the multiplicity of the distance and the scattering length product of the connected atoms. This is the basis of the well-known pair distribution function (PDF) method (Zernike & Prins, 1927; Egami & Billinge, 2003; Billinge, 2008). The radial pattern in direct space is generally referred to as the PDF, meaning that, in the sense roughly sketched above, it provides a weighted representation of the pair distances between atoms.

While different functions are commonly used for the direct-space representation, the most frequently associated with the PDF acronym are, since Zernike & Prins (1927),

5.

with the more usual choice of variable Inline graphic. It is most usually used with the choice Inline graphic that we will assume in the following [Inline graphic]; and here Inline graphic is the point density of atoms per unit volume, V being the volume occupied by the AO. The Inline graphic function appearing there is just

5.

where Inline graphic is the isotropic averaged differential cross section [equation (12)] expressed in the variable Q. In more detail,

5.

so

5.
5.

In the simplest case where the term in square brackets is independent of Q, we can extract it from the integral and

5.

Here we use the integral from Olver et al. (2009, Equation 1.17.14):

5.

One interesting side note is that, if we define a scalar product between complex functions on Inline graphic,

5.

it is easy to see that this induces a norm

5.

and a distance

5.

So if we take the space Inline graphic of well-behaved complex functions on Inline graphic, for instance those having finite norm and Inline graphic on Inline graphic, we can define its closure, the space of complex functionals on Inline graphic as a Riesz space. Now, we write a slightly modified integral:

5.

This means that the functions

5.

constitute a complete orthogonal system on Inline graphic. In particular, the superior orders Inline graphic, Inline graphic, can be expressed as linear combinations of the Inline graphic. Therefore there arises ambiguity in evaluating the Inline graphic for a system with texture, because the higher orders of spherical Bessel functions will mix up in the Inline graphic evaluated from experimental data. A Inline graphic curve from a textured powder will have to be carefully compared with an atomic model including the texture parameters, and even so the results may be ambiguous.

5.1. Inline graphic from higher-order even spherical Bessel functions  

As a last point, as it is not easy to find them in the literature, we give here expressions of the scalar product of the Inline graphic basis functions with the Inline graphic even higher-order spherical Bessel functions that appear in the texture-generalized DSE. The only reference we could find is a paper by Maximon (1991). From there, with a bit of bookkeeping,

5.1.

The first term with the Dirac delta, apart from the sign Inline graphic, is identical to the result for Inline graphic [see equation (49)]. This term is creating an infinitely sharp peak at Inline graphic. Real-world samples show in fact sharp peaks, although not infinitely sharp because of atomic form factors, uncorrelated thermal vibrations and possibly disorder. Note, however, that the Dirac delta terms encoded in the higher-order spherical Bessel functions Inline graphic all have the same intrinsic magnitude Inline graphic, but alternating signs Inline graphic. Therefore, the interatomic distance peaks of the Inline graphic will change in height due to texture, as a first-order effect; and it is very possible that, for some combination of texture coefficients, some distance peaks might disappear. This is the dual of a similar well-known effect on the reciprocal-space pattern – texture modifies the Bragg peak intensities and in some cases cancellation of some families of peaks has been observed. See Fig. 8 for some example calculated Inline graphic.

Another effect comes from the second term, which has as factor a Heaviside function

5.1.

that reduces to 0 where Inline graphic; while, on the low-r side of d (Inline graphic), we have a polynomial tail given by the first derivative of a Legendre polynomial of degree 2p in Inline graphic. This will change the background below the interatomic distance peaks, due to the step-like contributions from the Heaviside functions. This is very evident in Fig. 8 for some example calculated Inline graphic.

Legendre polynomials and their recursion are described in Section A1. The first few even Legendre polynomials with their first derivatives are listed here. 5.1.

6. Example calculations and graphics  

To ease understanding of concepts presented here, we have made some example calculations, building first an ideal AO in the form of a NC of PbS (space group Inline graphic, lattice parameter 5.936 Å, rock-salt structure), with the shape of a parallelogram of Inline graphic unit cells (Fig. 2). Special attention has been devoted to building the surface in a way that does not reduce the overall symmetry; however, the point group of the AO as a whole is tetragonal (due to the elongated shape), more precisely Inline graphic or Inline graphic.

Figure 2.

Figure 2

The tetragonal prism of PbS (about Inline graphic nm) used as a model AO for graphical illustrations.

We like to stress that this symmetry reduction has a deep meaning. In fact, it correlates the ODF with the particle shape. Now, given that the particle shape is often the main reason for an anisotropic ODF, this is surely an advantage. Even more so when there is also a correlation between shape and strain.

We will hereafter show patterns of PbS modified by the ODF for the three common experimental geometries (DS, BB, FP) illustrated in Section 3.4. Looking at Table 1, we can see that the selection rules for Inline graphic AO symmetry allow only coefficients Inline graphic where m is a non-negative multiple of 4, obeying Inline graphic, to be nonzero. The standard DSE includes only the term (l, m) = (0, 0). With texture, higher orders up to l = 12 are limited to (l, m) = (2, 0), (4, 0), Inline graphic (12, 0); (4, 4), (6, 4), Inline graphic (12, 4); (8, 8), (10, 8), (12, 8); and (12, 12). So, the dis-uniformity of the ODF is described by a grand total of 15 terms up to order l = 12, which is fairly high.

We shall also here simplify the treatment of atomic form factors. So, instead of the q-dependent expression Inline graphic for the scattering product of the Inline graphic-th pair of atoms, we will use the simpler form Inline graphic, the product of the atomic numbers (82 for Pb and 16 for S). We shall also set the scale by dividing each pattern by the self-scattering term

6.

in order to set a common scale. That means our plots will all be of the (modified) Inline graphic.

Firstly, just to have an impression about the superior spherical Bessel function terms, we will compute the standard DSE substituting Inline graphic Inline graphic for Inline graphic. To be noted in Fig. 3 is the striking similarity between the modified DSE patterns at different orders, apart from the sign Inline graphic.

Figure 3.

Figure 3

The standard DSE-calculated Inline graphic pattern (for uniform ODF) and a few ‘higher-order’ variants where we simply substitute Inline graphic for Inline graphic. It is interesting to note the similarity, especially in the peaked regions, apart from the alternating sign.

Next, we make some true example calculations based on the same AO, using equations (32), (33), (34). As the values of the 15 allowed coefficients Inline graphic (Inline graphic) are arbitrary within limits in equation (14), we evaluated, for each of the three experimental geometries, 15 Inline graphic patterns, each one modified by ‘switching on’ a single Inline graphic. Each time, we both add and subtract the chosen perturbing term, fixing the respective coefficient Inline graphic. We let Inline graphic for the DS and FP geometry, where perturbations are weaker; we set it to 0.2 for the BB, in order to avoid huge negative intensity values. Of course, any good refinement program would determine coefficient values that reproduce the observed Inline graphic, so this is not a problem in applications.

Observing the graphs in Figs. 4, 5, 6 we can note several interesting features. Perhaps the most important is that texture – at least when combined with some shape anisotropy, as in this example – does not just modify the intensity of Bragg peaks but changes their shape as well. Apparent peak splits can be seen in Fig. 4(top) [DS geometry, case Inline graphic], for instance; other graphs show apparent peak shifts, broadening or narrowing and profile alterations. Furthermore, changes in the background, though relatively smaller, can be observed as well. This point is important because shape anisotropy very often accompanies, and likely causes, texture in powder samples. Therefore, we believe that it is important to have new tools such as the modified DSE presented here, in order to account precisely for all effects of texture combined with size and shape anisotropy.

Figure 4.

Figure 4

Debye–Scherrer (capillary) geometry: red – Inline graphic without texture, orange – the single texture component, blue – Inline graphic with component added, green – Inline graphic with component subtracted. The component magnitude was set as Inline graphic, its upper bound from equation (14). This leads to negative intensity in some regions of the (l, m) = (8, 0) (middle) plot, both green and blue lines, when the Inline graphic sign is used, so in reality bounds on Inline graphic must be tighter. (Top) Inline graphic and its modification with the Inline graphic component; (middle) with the Inline graphic component; (bottom) with the Inline graphic component.

Figure 5.

Figure 5

Bragg–Brentano (reflection) geometry. Same colour scheme as in Fig. 4. The component magnitude was set as Inline graphic, or 1/5 of its upper bound from equation (14). Still we can see some negative intensity in some regions of the (l, m) = (8, 0) (middle) plot, green line, when the Inline graphic sign is used, so an even tighter bound is necessary in this case. (Top) Inline graphic and its modification with the Inline graphic component; (middle) with the Inline graphic component; (bottom) with the Inline graphic component.

Figure 6.

Figure 6

Flat-plate (transmission) geometry. Same colour scheme as in Fig. 4. Here again we set Inline graphic, its upper bound from equation (14). Negative intensity regions again indicate the need for tighter bounds on the coefficients. (Top) Inline graphic and its modification with the Inline graphic component; (middle) with the Inline graphic component; (bottom) with the Inline graphic component.

6.1. Comparison with Bragg methods  

A comparison with traditional Bragg (Rietveld) methods of calculating a powder diffraction pattern and SPH components is shown in Fig. 7. To do so, we computed the texture-free pattern for one spherical NC with D = 5.4 nm using the TOPAS software (Coelho, 2018) implementing the spherical harmonics as in Järvinen (1993). This sphere has equivalent volume to the rod used so far. We selected the Debye–Scherrer geometry for this comparison.

Figure 7.

Figure 7

Debye–Scherrer (capillary) geometry: top – I(Q) without texture for different shapes as calculated by DSE (red) and Rietveld (blue); middle – cubic Inline graphic component as calculated by DSE (violet, dotted) and Rietveld (green); bottom – cubic Inline graphic component as calculated by DSE (violet, dotted) and Rietveld (green).

TOPAS uses the Laue symmetry Inline graphic (as derived from the given cif file). Maybe it would have been possible to force the tetragonal group onto TOPAS, but still the shape anisotropy would have been more difficult. Therefore we produced another simulation, using a cubic PbS NC with Inline graphic unit cells and approximately the same volume as above. We also assigned this time the Inline graphic group as AO symmetry. We calculated some of the corresponding cubic harmonics (Inline graphic, Inline graphic, Inline graphic) with both programs. The results are shown in Fig. 7. The patterns without texture (top) match very nicely. Minor differences are in the diffuse background of the total scattering pattern (top). This however can be expected because (a) the actual shape difference (cube versus sphere) must yield some small differences, (b) what lies ‘underneath the Bragg peaks’ is where total scattering and Rietveld–Bragg methods are supposed to differ. The ODF contributions (we show only two) match very closely indeed, as can be seen in the middle and bottom parts of the figure.

6.2. Example calculations of the Inline graphic PDF  

Finally, in order to verify various points discussed in Section 5, we show (Fig. 8) the plot of one calculated Inline graphic for the same PbS NC and for the three experimental geometries. The Inline graphic was evaluated up to Q = 60 Å−1 (fairly high), and a Gaussian broadening of root-mean-square width 0.05 Å was added to the interatomic distances, like a moderate Debye–Waller factor. This is very effective in regularizing the Inline graphic, as is well known. Similar vibrational amplitudes are common in ordinary matter. Again, as before, we calculated the unperturbed Inline graphic via the DSE, then added/subtracted texture Inline graphic perturbations one at a time, always with the maximum coefficient allowed Inline graphic. We chose the lowest order of texture whose effects were visible in the graph. It turned out that we did not have to go far, as at Inline graphic every possible effect proposed in Section 5 is already easily visible and likely making the analysis quite complicated. Within the Inline graphic range of coefficients, several distance peaks may easily be deleted (in our plots they become negative; therefore with lower coefficient magnitude they must go to 0). Furthermore, the background is rich in ramps and steps due to the expansion of superior spherical Bessel functions in the Inline graphic basis, as explained in Section 5.

Figure 8.

Figure 8

The Inline graphic unperturbed (red) and the same perturbed by Inline graphic the maximal Inline graphic perturbation [green for Inline graphic sign, blue for Inline graphic]. Plots are shifted vertically for convenience. The separate perturbation is plotted in orange over the unperturbed function. (Top) DS geometry; (middle) BB (note the much higher effect); (bottom) FP.

Again, from Fig. 8, we can see very well that the BB geometry is much more affected by texture than the other systems. This may be a useful tip when planning experiments on samples under suspicion of preferred orientation.

7. Conclusions  

We have derived extended Debye scattering equations that encode sums over higher-order even spherical Bessel functions which account for corrections to moderate texture. We showed that, as in the Bragg scattering case, the texture effect modifies the diffraction maxima intensities, possibly leading to their cancellation. We extended our approach to the direct-space transforms deriving one expression for the Inline graphic function, showing two important facts: (i) the well-known texture effect in reciprocal space has its dual counterpart in real space where the height of many interatomic distance peaks will change, in particular for some combination of texture coefficients some distance peaks may disappear; and (ii) the contribution from the higher-order even spherical Bessel functions will also introduce polynomial tails on the low-r side of the peaks, with a step to 0 at Inline graphic which could be difficult to model.

Appendix A. Texture special functions: definitions and notation

A1. Legendre polynomials  

The definition of Legendre polynomials:

A1.

Orthogonality:

A1.

Recurrence:

A1.

A2. Associated Legendre functions  

There are two definitions in the literature for associated Legendre functions:

A2.
A2.

Definition (II) is in Edmonds (1961), Messiah (1961), Masters & Richards-Dinger (1998), Nikiforov & Uvarov (1988), and is most used in quantum mechanics. Here we shall adopt (I), while using Abramowitz & Stegun’s (1972) convention:

A2.

In both cases,

A2.
A2.

Orthogonality:

A2.
A2.

Recurrence over l:

A2.

for Inline graphic, we complete with

A2.

A3. Spherical harmonics  

Spherical harmonics can be defined in two ways, depending on the choice for Legendre functions:

A3.
A3.

with the Inline graphic sign appearing in (II) being the Condon–Shortley phase, compensating for the absence of a similar factor in the definition of Inline graphic, as discussed above. The spherical harmonics are orthonormal with respect to both indexes:

A3.

Note that Bunge (1982) defines the spherical harmonics slightly differently. He uses the symbol Inline graphic instead of Inline graphic (Inline graphic) and

A3.

from equations (14.38), (14.39) of Bunge (1982). We can use the identity (Nikiforov & Uvarov, 1988)

A3.

so we can write

A3.

which leads to

A3.

Appendix B. Computational wisdom

b1. General double-step recurrence  

Many functions and polynomials useful in the computation of spherical harmonics are defined recursively. In crystallography, we often have to consider only the even terms of such recurrence. As it is clearly a waste to compute the odd terms when we are interested only in the even ones, we give here a recipe to transform a three-term recurrence relation into one that uses only even orders. If we have a three-term recurrence relation

b1.

we can expand Inline graphic on the right-hand side:

b1.

then, considering also

b1.

and substituting,

b1.

b2. Clenshaw recurrence  

Suppose we need to evaluate linear combinations of the form

b2.

where the Inline graphic obey a three-term recurrence

b2.

and the first two terms Inline graphic are known [note that a special case of equation (66) is the evaluation of Inline graphic, just setting Inline graphic and Inline graphic].

The most efficient way to compute such linear combinations is usually Clenshaw’s recurrence (Clenshaw (1962; Press et al., 2007), using auxiliary functions Inline graphic. In simple terms, we set

b2.

and at the end it can be shown that

b2.

This is precise and does not require evaluating the Inline graphic first, as only the first two are used.

In the rare cases when

b2.

then the opposite procedure is better:

b2.

and

b2.

Here of course the higher terms Inline graphic and Inline graphic have to be evaluated too.

b3. Recursive evaluation of spherical harmonics  

Here we follow Masters & Richards-Dinger (1998). The computation of spherical harmonics of higher orders may be afflicted by numerical instabilities if direct formula computation is attempted. Moreover, while l-recursion-based recursive methods may be trivial, the accompanying m-based recursion is not and may induce large numerical errors. What follows is the fastest and most precise way to manage such recursions.

Write

b3.

We know that

b3.

where Inline graphic and

b3.

Now we can give a stable downward m-recurrence for m from l to 0, compatible with Clenshaw’s method of Section B2, as

b3.

The spherical harmonics (also with negative m values) are then obtained as

b3.

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