Abstract
Treatment fidelity is the use of methodological strategies to monitor and enhance reliability and validity of behavioral intervention trials. Despite availability of guidelines and checklists, treatment fidelity remains underreported, hindering evaluation, interpretation, and cross-study comparisons. Treatment fidelity is particularly important for music interventions given the inherent complexity of musical stimuli and flexibility required for tailored delivery. The purpose of this paper is to define and describe treatment fidelity strategies for our trial of a music-based play intervention for young children with cancer and parents grounded in the NIH Behavior Change Consortium Treatment Fidelity Recommendations. We report strategies for all 5 areas: study design, training providers, delivery of treatment, receipt of treatment, and enactment of treatment skills. We also discuss 4 challenges our team encountered, including: (1) standardizing live music delivery, (2) defining boundaries for tailored intervention delivery, (3) managing extended time between participants, and (4) minimizing risk for bias. This paper expands on current fidelity literature and may provide a working model for other investigators examining dyadic and/or active music interventions.
Keywords: music therapy, treatment fidelity, music intervention, behavioral intervention, dyadic intervention
Introduction
Treatment fidelity is important to the design and conduct of rigorous clinical research. In 2004, the National Institutes of Health Behavior Change Consortium (NIH BCC) defined treatment fidelity as “. . .methodological strategies used to monitor and enhance the reliability and validity of behavioral interventions. [Treatment fidelity] also refers to the methodological practices used to ensure that a research study reliably and validly tests a clinical intervention.”1 These practices help to ensure that changes seen post-treatment can be attributed to the intervention under investigation rather than external factors and reduce the chances of Type I and II errors.2 To encourage uptake and use of these recommendations, consortium authors published a validated treatment fidelity checklist for use in trial design and evaluation,3 with an updated checklist2 published in 2011.
Despite NIH BCC guidelines and checklist availability, treatment fidelity continues to be under-reported in published research.1-3 Prior reviews indicate that publishing authors often report details about treatment delivery, while other areas such as treatment receipt and enactment are rarely reported.4,5 In addition, there is inconsistent use of standardized NIH BCC treatment fidelity definitions and reporting categories, which contributes to these observed inconsistencies in reporting.5 The resulting absence and inconsistency of reporting make evaluation, interpretation, and cross-study comparisons difficult.
Treatment fidelity is especially important for music interventions given the inherent complexity of musical stimuli6,7 and flexibility required for delivery of tailored interventions.8 A scoping review of music intervention reporting quality revealed that only 20% of identified studies described strategies to ensure consistent treatment delivery across participants and providers—emphasizing the need for publications that detail selection and use of treatment fidelity strategies for music intervention trials.9 To date, there have been 3 publications detailing NIH BCC guideline implementation in music intervention trials.6,10,11 Implementation of the NIH BCC recommendations requires that investigative teams interpret, define, and select strategies that consider the unique context, attributes, and design features of their trial. As such, published manuscripts describing selection and implementation of specific fidelity strategies help other investigators increase rigor in their own trials.
The purpose of this paper is to define and describe treatment fidelity strategies being used in our multisite randomized controlled trial of a music-based play intervention for young children with cancer and their parents (R01NR019190). This manuscript expands on current fidelity literature and may provide a working model for other studies investigating dyadic and/or active music interventions.
Overview of the BIO-MUSE Trial
The Biologic Mechanisms and Dosing of Active Music Engagement (BIO-MUSE) trial is a 2-group single-blind randomized controlled trial examining the use of music play to manage distress and improve health outcomes in young children with Acute Lymphoblastic Leukemia (ALL) and their parents (R01NR019190). Children and one parent (enrolled as dyads) are stratified and randomized in blocks of 4 to the Active Music Engagement (AME) intervention or Audio-Storybooks (ASB) attention control condition. Child/parent dyads are stratified by child age (preschoolers 3-5 years.; school-agers 6-8 years.), site (Riley Hospital for Children at Indiana University Health, Indianapolis, Indiana; Ann & Robert H. Lurie Children’s Hospital, Chicago, Illinois; Children’s Mercy Hospital, Kansas City, Missouri), and ALL risk level (standard risk; high risk). Both the intervention and attention control conditions are standardized, and each group receives one 30-minute AME or ASB session during weekly outpatient clinic visits for the duration of the consolidation phase of ALL treatment (4 sessions for standard risk participants; 8 sessions for high-risk participants). The purpose of the BIO-MUSE trial is to examine biological mechanisms of effect and explore dose-response relationships of AME on child/parent stress during the consolidation phase of ALL treatment.
Methods
In this paper we describe treatment fidelity strategies specific to the BIO-MUSE trial and their grounding in the NIH BCC Treatment Fidelity Recommendations.1 Table 1 provides definitions for each of the 5 NIH BCC Treatment Fidelity components. We then provide an overview for each component and rationale for selected strategies.
Table 1.
Treatment fidelity component | NIH BCC definition1 |
---|---|
Study design | Study design procedures ensure that a study can adequately test its hypotheses in relation to underlying theory and clinical practices. |
Training providers | Standardized provider training includes procedures to ensure that interventionists have been satisfactorily trained to deliver the intervention to study participants. |
Delivery of treatment | Treatment delivery procedures monitor and improve delivery of intervention and comparison conditions; ensuring that treatment is delivered as intended. |
Receipt of treatment | Treatment receipt focuses on the participant and includes procedures to assure that the treatment was both received and understood. |
Enactment of treatment skills | Enactment of treatment skills includes processes to monitor and improve participant ability to perform treatment-related behavioral skills and cognitive strategies in relevant real-life settings as intended. |
Area 1: Study Design Strategies
Treatment fidelity strategies specific to study design help ensure that the investigative team can adequately test their proposed hypotheses in relation to underlying theory and clinical processes. Selected strategies are unique to each study and increase rigor by ensuring that: (1) interventions are congruent with relevant theory and clinical practice; (2) dosing is consistent within and across study conditions; and (3) implementation setbacks are minimized.1 Table 2 summarizes the goals of treatment fidelity specific to study design, with corresponding strategies for the BIO-MUSE trial. In the sections that follow, we elaborate on our selection of study-specific strategies.
Table 2.
Goal | NIH BCC description1 | BIO-MUSE strategies |
---|---|---|
Goal 1: Ensure that interventions are congruent with relevant theory and clinical experience. | Operationalize interventions to reflect theory; define independent and dependent variables most relevant to the “active ingredient” of the intervention. |
Intervention theory: Contextual Support Model of Music Therapy12; Self-Determination Theory13
Essential intervention elements: Intervention designed to provide optimal levels of structure, autonomy support, and support parent/child relationship through tailored delivery of music-play. Attention control condition: Designed to control for audio-visual stimulation, presence of a trained provider, and shared play activity that involves both parent and child.14 |
Goal 2: Ensure same treatment dose within and across conditions. | Ensure that treatment “dose” (measured by number, frequency, and duration) is adequately described and is the same for each subject within and across treatment and control conditions. |
Number/frequency of sessions: Coincide with timing and length of consolidation treatment (4 weekly sessions standard risk patients; 8 weekly sessions high risk patients). Session duration: 20 min/session for ASB; 25 min for AME Between session engagement: Activity kits encourage engagement in condition-related activities outside sessions. Dose monitoring via provider field note: Providers document actual session length and participant-reported use of condition related activities between sessions. Dose confirmation: External quality assurance monitoring confirms provider-reported field note data. |
Goal 3: Plan for implementation setbacks | Address possible setbacks in implementation. | Train Multiple Providers at each study site to ensure provider availability and minimize impact of turnover, absences, and illness. |
Goal 1: Ensure Interventions are Congruent With Relevant Theory and Clinical Experience
In theory-driven research design, the selected theory informs 3 aspects of study design: 1) selection of intervention content (ie, essential elements), 2) specified relationship between independent and dependent variables, and 3) selection of outcome measures. The NIH BCC guidelines specify that the theoretical model underlying the intervention must be clearly described, with subsequent checklists created to support implementation.1-3
Theory-informed essential content
In previous publications, we have outlined how the AME intervention aligns with the Contextual Support Model of Music Therapy (CSM-MT12) which is grounded in Self-Determination Theory.13 The CSM-MT explains how music can be used to create a supportive environment by offering optimal levels of structure, autonomy support, and relationship support.15
In brief, we know that attributes of the environment play an important role in whether an individual perceives a situation to be stressful or benign, and how they respond behaviorally to that situation (engagement vs disaffection).12,16-22 Engagement is a necessary precursor to learning and enactment of positive coping strategies, such as the use of music play to manage cancer-related stress.18-21,23 The AME intervention was designed to mitigate qualities of stressful environments, like cancer treatment.12,17,18,24 Stressful environments are unpredictable, constrain autonomy, and often lack or strain social support. In contrast, supportive environments are structured, provide opportunities for choice/control, and offer relationship support. Through tailored delivery of shared music experiences, the AME intervention creates a supportive environment using familiar music play (structure), child-directed experiences (autonomy support), and supportive child/parent interaction (relationship support).12,16,17 Supportive environments lead to higher engagement and subsequent acquisition and use of positive coping strategies.12,16,17,19-21 Music play is particularly viable for children ages 3 to 8 years because young children cope with stressful experiences through play,25 and music can offer a sense of normalcy through shared, meaningful experiences that focus on healthy aspects of the child and family.26-28 Table 3 shows the relationship of essential AME intervention content to CSM-MT theoretical principles.
Table 3.
Intervention component | Theoretical principles |
---|---|
Component 1: Music-based play activities | (1) Predictable environments provide structure that supports child competence. |
Therapist uses familiar music activities to provide structure and increase child’s ability to predict what will happen in their environment. | |
(2) Leveled activities help ensure success and support child competence. | |
Therapist tailors physical activity requirements to meet the individual needs of each child. Enables child success and engagement during periods of high or fluctuating symptom distress. | |
(3) Opportunities to make independent decisions support child autonomy. | |
Child chooses from a variety of music play activities, and each activity includes a wide range of materials. Activities include a wide range of materials and activity options so child can make choices for self and others. | |
Therapist uses improvisational techniques to follow child-initiated changes in their music making (eg, child changes tempo or style of playing). | |
(4) Activities structured to support caregiver-child interaction. | |
Activities are designed to structure and support reciprocal caregiver-child interactions. Therapist individualizes experiences to support increased frequency and quality of interactions. | |
Component 2: Music play resource kit | Supports independent use of music play to manage distress between therapist-led sessions. |
Activities mirror content from therapist-led sessions. The kit includes: | |
(1) Professional audio recording of music composed and/or arranged specifically for the AME intervention. | |
(2) Age-appropriate musical instrument and play materials that correspond to each activity. | |
(3) Activity cards designed to give children/caregivers information “at-a-glance” on ways they can use their kit. | |
Component 3: Session planning and caregiver tip sheets | (1) Promotes caregiver competence about how children use play to cope and ways to engage their child in music play during transplant. |
(2) Promotes caregiver autonomy by empowering caregivers with skills/resources to support their child during treatment | |
(3) Supports caregiver-child relationships through normalizing, music-based play activities |
Table reprinted with permission in accordance with creative commons open access license “Attribution-NonCommercial 4.0 International” (CC BY-NC 4.0) http://creativecommons.org/licenses/by-nc/4.0/ for the following publication: Russ KA, Holochwost SJ, Perkins SM, et al. Cortisol as an acute stress biomarker in young hematopoietic cell transplant patients/caregivers: active music engagement protocol. JACM. 2020;26(5):424- 434.
Attention control design
We have previously established the ASB condition as a feasible and acceptable control condition for patients and families.12,16,17 The ASB condition controls for (1) audio-visual stimulation; (2) presence of a trained provider; and (3) shared activity between parent and child.
Conceptual framework and measures selection
Our conceptual framework is based on Robb’s Contextual Support Model of Music Therapy,12,18 Self-Determination Theory,13 and further informed by Kazak and Baxt’s Pediatric Medical Traumatic Stress Model,29 which provides a useful heuristic for understanding short- and long-term consequences of pediatric cancer treatment for parents and their children. These theories, and the resulting model, directly informed our selection of covariates, mediators, and outcome measures.
Goal 2: Ensure Same Treatment Dose Within and Across Conditions
Our BIO-MUSE protocol specifies condition frequency, duration, and schedule for participants in both conditions. Regardless of condition, children with standard risk ALL receive 4 weekly sessions during the consolidation phase of treatment, whereas children with high risk ALL receive 8 weekly sessions. The number of sessions is based on Children’s Oncology Group (COG) approved treatment protocols, which vary based on ALL risk level. The decision to see participants for the full duration of their treatment is grounded in ethical and practical considerations, including justice and non-maleficence. Providing support for the full treatment course for standard risk participants and for only half of the treatment course for high-risk participants would be inadequate and potentially harmful.
The NIH BCC guidelines recommend equivalent dosage between study conditions. In previous AME trials, the AME and ASB conditions were delivered in an in-patient setting and had an equal duration (45 minutes, with 30 minutes of music or stories). The current trial takes place in the outpatient clinic setting. To accommodate clinic flow and patient needs we needed to limit session duration to 30 minutes or less. As such, total session duration for AME sessions is 30 minutes total (5 minutes collaborative goal setting; 20 minutes of music-play; 5 minutes educational content). Total session duration for ASB is 20 minutes (5 minutes set-up; 15 minutes audio-storybooks—the length of one storybook). Although total session length is not equivalent, the amount of audio-visual stimulation is similar across groups, with the additional 10 minutes in AME attributed to assessment and educational activities that are unique to that condition. In addition to in-person sessions, participants take home a music-play or audio-storybooks kit to encourage between-session use of the condition-related activities.
We monitor dose (frequency, duration) through provider-completed field notes that include the session date, session begin/end times, and parent-reported kit use between sessions. Providers also audio- or video-record sessions which provides an external validity check for data reported in the provider field note. We also perform self and external quality assurance monitoring which are explained in greater detail below (see Area 2—Goal 2: Ensure Provider Skill Acquisition).
Goal 3: Plan for Implementation Setbacks
The BIO-MUSE protocol specifies plans for a variety of possible implementation setbacks. Examples include training multiple music therapists and data collectors at each site to minimize the impact of absence/illness or staff turnover and providing paper copies of measures to data collectors in the event of technology failure. Our team also meets weekly to discuss ongoing participants and any issues with protocol implementation, which are then addressed with input from the principal investigator (PI), site PIs, and core project manager.
Area 2: Training Providers
The use of standardized training programs helps to ensure consistent delivery of study protocols across providers and sites. These strategies are also important to address differences in providers’ educational training, clinical background, and experience. Table 4 summarizes provider training goals and corresponding strategies for the BIO-MUSE trial.
Table 4.
Goal | NIH BCC description1 | BIO-MUSE strategies |
---|---|---|
Goal 1: Standardize training. | Ensure that training is conducted in same manner by different providers. |
Standardized study protocols and operating procedures (SOPs) for study conditions, evaluation sessions, and blood/saliva collection and storage. Standardized Training including manuals, content, and schedule. Evaluation of Training. |
Goal 2: Ensure provider and evaluator skill acquisition. | Train providers and evaluators to well-defined performance criteria. |
Position descriptions detailing required skills, education, training, and/or credentials for all study roles. Role-playing as an essential part of training. External quality assurance (QA) Monitoring with set criteria for protocol adherence. |
Goal 3: Minimize “Drift” in Provider and Evaluator Skills | Ensure that provider and evaluator skills do not decay over time. |
Self and external QA monitoring conducted on a predetermined schedule for duration of trial. Monthly Calls for team members based on role (providers; data collectors). |
Goal 4: Accommodate Provider Differences | Ensure adequate level of training in providers of differing skill level, experience, or professional background. |
Individualized supervision through QA monitoring and monthly team calls. Signed position description which delineates minimum competencies based on role. |
Goal 1: Standardize Training
Our providers and data collectors are trained on condition-specific protocols and SOPs during training sessions led by the PI and core project manager. Training session agendas, content, and protocols are standardized to ensure consistent training over the course of the trial. We have training manuals specific to each role including providers, site PIs, and data collectors. All team members receive the same 1 hour of core content including the study overview, theoretical framework, clinical overview of ALL treatment, responsibilities and communication, identification and reporting of adverse events, online database file management procedures, and strategies to minimize bias when discussing the study. Provider and data collector manuals also include standardized protocols for delivering study conditions or conducting data collection. Site PIs have additional SOP requirements for providing study oversight including Single IRB requirements, recruitment, informed consent, billing, and coordination of study activities. Total initial training time varies based on role (4 hours for data collectors; 6 hours for site PIs; 10 hours for providers). At the conclusion of training, we ask team members to complete evaluations to improve future training sessions.
Goal 2: Ensure Provider Skill Acquisition
Our providers are board-certified music therapists who have a minimum of a bachelor’s degree in music therapy and experience working in pediatric medical settings. Our data collectors are hospital employees or research assistants in a variety of roles including clinical research assistants, nurse practitioners, and undergraduate students. We have position descriptions for all study-related roles, specifying minimum requirements for education, training, and experience, as well as competencies, responsibilities, and skills needed to fulfill the role. The position description establishes the minimum skills required and communicates expectations. All team members receive a role-specific position description at the start of their training and sign the position statement agreement after initial training is complete.
Role-play is an essential feature of our training which helps to ensure skill acquisition. We also use self and external QA monitoring to establish whether team members are delivering essential elements of the study protocol with predetermined thresholds for initial and sustained protocol adherence. During QA monitoring, providers (and data collectors) listen to their audio-recorded sessions and fill out session-specific checklists listing essential content that should be delivered for a specified session. An external monitor also listens to sessions and completes the same session-specific checklist. The threshold for initial protocol adherence is >80% of all QA items during the last session of a provider’s second AME participant, during the last session of a provider’s first ASB participant, or during the last session of a data collector’s first participant. We monitor 2 AME participants to establish initial adherence due to the increased complexity of AME sessions. External QA monitors schedule individual meetings to discuss any missed items or challenges observed during monitoring. If a provider or data collector does not meet the initial adherence threshold by the indicated timeline, self and external QA monitoring continues until the threshold of 80% or more of QA items has been met.
Goal 3: Minimize “Drift” in Provider Skills
Once providers and data collectors achieve the initial adherence threshold, we continue to engage in self and external QA procedures using a priori monitoring schedules to minimize drift. The schedule for sustained monitoring specifies completion of self and external monitoring for every fifth participant (or 60 days, whichever comes first). All sessions are audio-recorded to allow for unscheduled monitoring as needed. In addition, all providers and data collectors attend monthly role-specific meetings to discuss study progress, protocol implementation, and ongoing participants. Meetings are essential to communicating study updates, building a collaborative team environment, addressing common challenges, sharing solutions, and promoting protocol adherence over time.
Goal 4: Accommodate Provider Differences
Providers receive individualized instruction during training and individualized mentoring through ongoing quality assurance monitoring. External QA monitoring facilitates identification of any provider differences that might require additional training and monitoring. The signed position description (described above) also helps to ensure that providers meet minimum specified requirements (education, certification, experience) and agree to deliver study conditions or conduct data collections sessions according to study protocols.
Area 3: Delivery of Treatment
Treatment delivery strategies help ensure that study conditions are delivered as intended. Primary strategies include the use of standardized treatment protocols and sustained monitoring of provider delivery during the trial, with additional strategies to reduce within-treatment differences and contamination between study conditions. Table 5 summarizes treatment delivery goals and corresponding strategies for the BIO-MUSE trial.
Table 5.
Goal | NIH BCC description1 | BIO-MUSE strategies |
---|---|---|
Goal 1: Control for provider differences. | Monitor and control for subject perceptions of nonspecific treatment effects across intervention and control conditions. | Recorded sessions: All sessions audio- or video-recorded. |
External QA monitoring: Includes provider interaction style and attributes. | ||
Provider selection: Hire providers that demonstrate supportive interaction styles and have experience working with young children and families. | ||
Same providers: Providers deliver both intervention and attention control conditions. | ||
Qualitative interviews: Provides parent perspectives about their experience with providers. | ||
Goal 2: Reduce differences within treatment. | Ensure that providers in the same condition are delivering the same intervention. | Standardized study protocols: Manualized protocols for each study condition. |
Recorded sessions: All session audio- or video-recorded. | ||
Self- and external QA monitoring: Monitoring ensures accurate and consistent delivery across providers. | ||
Standardized QA checklists: Lists essential elements for each study condition. | ||
Goal 3: Ensure adherence to treatment protocol. | Ensure that study conditions are being delivered as intended including content and treatment dose. | Self and external QA monitoring: Sustained monitoring ensures accurate and consistent delivery of study conditions over time. |
Standardized QA checklists: Lists essential elements for each study condition. Used during session delivery and self/external QA monitoring. | ||
Individualized supervision: Review omissions and/or protocol deviations with providers on an individual basis. | ||
Monthly provider calls: Review challenges and successes experienced during session delivery; discuss protocol omissions or deviations. | ||
QA checklists: Support protocol adherence/deviation tracking across providers and study conditions. | ||
Provider field notes: Providers capture date, time, and duration for study sessions in electronic field notes. | ||
Goal 4: Minimize contamination between conditions. | Minimize contamination across treatment/control conditions, especially when implemented by same provider. | Standardized study protocols: Manualized protocols for each study condition. |
Recorded sessions: All session audio- or video-recorded. | ||
Self and external QA monitoring: Monitoring ensures accurate and consistent delivery without cross-contamination. Monitoring for biased language when answering parent questions about study conditions. | ||
Standardized QA checklists: Lists essential elements for each study condition. Used during session delivery and self/external QA monitoring. | ||
Theory/rationale for study conditions: Train providers on theory and rationale underlying structure/delivery of intervention and low dose attention control conditions. | ||
Non-biased language training: Equip providers with non-biased language and explanation to address participant questions about study conditions. |
Goal 1: Control for Provider Differences
We use several strategies to monitor and control for nonspecific treatment effects that may result from provider differences in terms of their perceived warmth or credibility. As described earlier, all provider sessions are audio- or video-recorded to facilitate QA monitoring. In addition to protocol adherence, external monitors also look at variations in provider delivery. When hiring study personnel, we look for providers with experience working with young children and parents in a hospital setting, and who demonstrate a supportive interaction style that embodies inclusivity and cultural sensitivity. In addition, we use the same providers across study conditions to help control for therapist attributes and conduct qualitative interviews with parents that include questions about their experience with the provider.
Goal 2: Reduce Differences Within Treatment
BIO-MUSE providers use manualized intervention protocols and session-specific checklists during condition delivery. The session checklists contain suggested language for information delivery, reminders about specific intervention content, and a step-by-step guide to session flow. Checklists help ensure consistent and complete delivery of content identified as essential to each study condition. Differences within treatment are also monitored during self and external QA monitoring.
Goal 3: Ensure Adherence to Treatment Protocol
Protocol adherence is monitored through our previously described QA monitoring procedures and session-specific checklists. The external QA monitor reviews any omissions and/or protocol deviations with providers on an individual basis. Self and external QA checklists are computerized and completed in our Research Electronic Data Capture (REDCap30) study database (which is compliant with the Health Insurance Portability and Accountability Act, or HIPAA). This feature allows us to generate real-time reports and easily track protocol adherence across sessions and providers. Providers also complete a study field note for each session that includes treatment dose information (ie, session date; session start/end times). The fieldnote is a part of our REDCap study database allowing us to generate reports to identify protocol deviations related to timing and duration of intervention delivery.
Goal 4: Minimize Contamination Between Conditions
We elected to use the same providers for intervention and attention control conditions. This was done to help control for provider differences across conditions, but this also creates opportunities for contamination (ie, essential elements of intervention appearing in attention control sessions) and risk of providers introducing bias that favors the intervention. In addition to sustained and rigorous QA monitoring, our providers receive training on the theories and scientific rationale that informed the content, structure, and delivery of the intervention and attention control conditions. Provider training also includes scenarios where unintended bias might occur and how to address participant questions about the study or their assigned condition. For example, when describing our study, we share that we are interested in learning how play activities like stories and music might be helpful during cancer treatment—positioning AME and ASB as equal experiences.
Area 4: Receipt of Treatment
Fidelity of treatment receipt involves strategies to ensure that the treatment delivered is received by the participant.2 Receipt involves participants’ understanding and their ability to use and demonstrate skills learned in treatment or control conditions. Limited understanding or ability to perform skills presented during treatment and control sessions will interfere with evaluation of treatment effects. As such, strategies for treatment receipt center on assessing comprehension and ability to use treatment-related skills. Table 6 summarizes treatment receipt goals and corresponding strategies for the BIO-MUSE trial.
Table 6.
Goal | NIH BCC description1 | BIO-MUSE strategies |
---|---|---|
Goal 1: Ensure participant comprehension.Goal 2: Ensure participant ability to use cognitive skills.Goal 3: Ensure participant ability to perform behavioral skills. | Ensure that participants understand information provided during study sessions, especially when participants may be cognitively compromised, have a low level of literacy/education, or may not be proficient in English.Ensure that participants can use the cognitive skills taught in the intervention.Make sure that participants can use the behavioral skills taught in the intervention. |
Assess comprehension: Providers use active listening, active questioning, and behavioral observation to assess participant comprehension and ability to use music play strategies. Session planning sheet: Providers and parents establish areas of needs and focus at the start of each session. Parent education: Together, providers and parents review music play strategies (including tip sheets) and identify at-home implementation strategies. Provider fieldnote & Likert Scales: Providers complete Likert-type scales and provide a narrative entry to document parent and child involvement, understanding, and ability to use content during sessions. |
Document independent use: Provider documents parent-reported use of play materials between study sessions (frequency, duration, how materials were used), as well as barriers and facilitators for use. |
Goals 1 to 3: Ensure Participant Comprehension, Ability to Use Cognitive Skills and Ability to Perform Behavioral Skills
We train providers to use active listening, active questioning, and behavioral observation to assess parent and child comprehension of intervention content. At the start of each session, providers work with parents to identify areas of need for their child through verbal dialog and use of a planning sheet. This supports parent-identification of needs for their child and positions the provider as a collaborator. At the close of sessions, providers (1) reference standardized tip sheets; (2) engage parents in a reflective dialog about what worked during the session (based on planning sheet conversation); and (3) identify strategies the parent and child can try using at home or in the hospital. Parents are given copies of tip sheets to reinforce concepts and children are given a music-play kit to encourage enactment of music play strategies outside of study sessions. After sessions, providers complete an electronic fieldnote that includes Likert-type scales to capture parent and child engagement and a narrative entry detailing behavioral observations, participant questions, and any events that may influence parent/child understanding and use of music play strategies (eg, session interruptions, presence of other clinic staff).
Area 5: Enactment of Treatment Skills
Enactment of treatment skills involves strategies to assess, monitor, and improve participants’ ability to perform and use treatment-related skills (cognitive and behavioral) in settings beyond study sessions. Borelli2 describes enactment as “. . .an important addition to the treatment fidelity model because a distinction is made between what is actually taught (treatment delivery), what is learned (treatment receipt) and what is actually used (enactment).” Table 7 summarizes enactment of treatment goals and corresponding strategies for the BIO-MUSE trial.
Table 7.
Goal | NIH BCC description1 | BIO-MUSE strategies |
---|---|---|
Goal 1: Ensure participant use of cognitive skills. | Ensure that participants use the cognitive skills provided in the intervention in appropriate life settings. |
Parent education: Together, providers and parents review music play strategies (including tip sheets) and identify at-home implementation strategies. Music play kit: Children are given a kit to keep and use at home (or other settings). It includes recorded music, instruments, activity cards, and materials used during provider-directed sessions. Encourage use: Providers encourage participants to use play materials between sessions. Document independent use: Provider documents parent-reported use of play materials between study sessions (frequency, duration, how materials were used), as well as barriers and facilitators for use. Qualitative interviews: Provide details about parent and child use of music play strategies and materials outside study sessions. |
Goal 2: Ensure participant use of behavioral skills. | Ensure that participants use the behavioral skills provided in the intervention in appropriate life settings. |
Goals 1 to 2. Ensure Participant Use of Cognitive and Behavioral Skills
As mentioned under Area 4, providers use parent education materials (ie, standardized tip sheets) and engage parents in reflective dialog about music play strategies, what works for their child, and ways to use the play materials at home (or in other settings) to manage stress. This individualized and cooperative approach encourages active reflection and use of materials outside sessions. Children are given a music play kit to further encourage use of music play strategies to manage distress at home or in the hospital. Music-play kits include recorded music, instruments, activity cards, and materials used during provider-directed sessions. The kits were developed and refined during initial pilot testing to establish their acceptability and use.17 At the close of each session providers encourage self-directed use of play materials (although it is never framed as a requirement). Providers monitor and document use of materials between study sessions (frequency, duration, how materials were used), along with any barriers and facilitators for use. Finally, we conduct qualitative interviews with parents at study conclusion. Interviews provide more detailed descriptions about parent and child use of music-play strategies and materials outside study sessions, and identification of facilitators and barriers to use.
Discussion
The NIH BCC guidelines were developed to improve the design and rigor of complex behavioral interventions.1 Music intervention trials are especially complex due to the compositional features of music stimuli (rhythm, tempo, pitch, harmonic structure, timbre may affect outcomes differentially), variety of music experiences (active music making, music listening, songwriting), and other factors unique to music interventions.6,7 Here we describe some of the greatest challenges our team has encountered in both design and early implementation of fidelity strategies for the BIO-MUSE trial including: (1) standardizing live music delivery; (2) defining boundaries for tailored intervention delivery; (3) managing extended time between participants; and (4) minimizing risk for bias.
Standardizing Live Music Delivery
In contrast to recorded music listening, the use of live music introduces greater potential for variability in delivery across study participants and providers. In the BIO-MUSE trial we use pre-composed music activities with embedded improvised content that is tailored to meet the unique needs of the child and parent. To reduce variability, we selected and composed age-appropriate activities for use during sessions, specified strategies to facilitate improvised content, and trained providers on theoretical principles to guide tailored delivery. To facilitate learning and consistent “performance” of the music activities, we provide sound recordings, music notation, and detailed descriptions for each activity in our protocols. During training, activities are modeled using live demonstration and example videos and practiced to establish competency. AME activities also use an improvisational approach to parent/child music-making. To help standardize and support this improvisational approach we use specific strategies to structure and support child/parent musical interactions. For example, we use “call and response” formats, steady rhythms for grounding, narrate parent/child actions through improvised lyrics, and rhythm matching.
Defining Boundaries for Tailored Intervention Delivery
Tailored interventions have been defined as those that rely on clinical judgment and adapt treatment to meet individual needs.31,32 The AME intervention is tailored in 3 ways. First, the intervention uses collaborative goal setting at the start of sessions. This provides focus for activity selection and tailored use of music to meet identified goals. Second, the intervention includes a range of activities to support variations in child energy and distress while supporting child autonomy through meaningful choices. The pacing, physical activity requirements, and qualities of the music activity can be adjusted to match immediate needs and modulated over time to achieve desired goals. Finally, therapists are trained to use theoretical principles of Self-Determination Theory13 and the CSM-MT12 to guide clinical decision making as they tailor the intervention (Table 3).
Determining how much flexibility can occur in a standardized protocol is challenging.32 Consistent with recommendations from O’Malley and Qualls,32 we specify a basic structure for sessions including duration with recommendations for time spent in collaborative goal setting, active music-making, and parent education. Time spent in each area may vary based on parent or child needs. Variations are monitored and documented.
To build therapist skills in tailored delivery, O’Malley and Qualls32 recommend support and expert consultation during trial implementation. For our team, this involves sustained individualized QA monitoring from a board-certified music therapist experienced in the protocol and monthly provider meetings led by the PI. Individual and group meetings often focus on therapists’ decision-making processes as they tailor the AME experience and “defining boundaries” of the intervention. These conversations, along with session-specific fidelity checklists, help solidify theory-informed delivery and increased confidence with the tailoring process.
Managing Extended Time Between Participants
An additional challenge is managing extended time between participant accruals and the resulting need for increased self and external QA monitoring.11 The incidence rate of ALL is relatively low,33 affecting how frequently our providers deliver study protocols and results in the need for more frequent QA monitoring. This places greater demands on therapists’ time and increases costs for compensation of therapists and external QA monitors.1,2,10,11,32 This also affects perceived burden by providers and study personnel that can lead to burnout. Our core group of music therapists have published on their experience of QA monitoring and its value for their own professional development.34 However, it has been essential to engage in sustained conversations about the importance of QA monitoring and explore strategies to reduce burden.
Minimizing Risk for Bias
We identified potential risk for bias in how members of the healthcare team talk about our trial, sometimes referring to it as the music study. To address this concern, we refer to our study as the “Music & Stories Trial” in our brochures and during conversations with hematology/oncology professionals, clinical staff, patients, and families. In addition, we provide ongoing staff in-services that include information about the trial and recommended language to reduce bias when talking with families. Members of our study team are also trained to present and talk about both conditions using non-biased language during informed consent and conversations with medical staff and families.
In closing, we recommend investigative teams use the NIH BCC guidelines, along with related checklists, to guide the design and selection of treatment fidelity strategies during study conceptualization.1-3 We also recommend that investigators use published Reporting Guidelines for Music-based Intervention Trials to inform standardization of music experiences.7 The reporting guidelines discuss attributes of music interventions that should be specified and reported in music trials—making it an informative resource as investigators work to specify essential features and standardize delivery of both live and recorded music interventions. Treatment fidelity is essential to research integrity. Though treatment fidelity requires time and added resources, the cost of not engaging in treatment fidelity strategies is far greater.2 At the time of publication, we found a limited number of publications explicating treatment fidelity strategies for music intervention trials. Dissemination, implementation, and transparency about trial-specific fidelity strategies are important to advancing the field, and we hope our trial may provide a working model for other investigators examining dyadic and active music interventions.
Footnotes
Authors’ Note: Amanda K. Henley is also affiliated to Purdue School of Engineering and Technology, Indianapolis, IN, USA.
The author(s) declared no potential conflicts of interest with respect to the research, authorship, and/or publication of this article.
Funding: The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: The BIO-MUSE trial is supported by the National Institutes of Health-National Institute of Nursing Research R01NR019190 (Robb, PI).
ORCID iD: Jessica A. MacLean https://orcid.org/0000-0001-5468-5875
References
- 1. Bellg AJ, Borrelli B, Resnick B, et al. Enhancing treatment fidelity in health behavior change studies: best practices and recommendations from the NIH Behavior Change Consortium. Health Psychol. 2004;23:443-451. [DOI] [PubMed] [Google Scholar]
- 2. Borrelli B. The assessment, monitoring, and enhancement of treatment fidelity in public health clinical trials. J Public Health Dent. 2011;71 Suppl 1:S52-S63. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 3. Borrelli B, Sepinwall D, Ernst D, et al. A new tool to assess treatment fidelity and evaluation of treatment fidelity across 10 years of health behavior research. J Consult Clin Psychol. 2005;73:852-860. [DOI] [PubMed] [Google Scholar]
- 4. Jibb L, Nathan P, Stevens B, et al. Psychological and physical interventions for the management of cancer-related pain in pediatric and young adult patients: an integrative review. Oncol Nurs Forum. 2015;42:E339-E357. [DOI] [PubMed] [Google Scholar]
- 5. O’Shea O, McCormick R, Bradley JM, O’Neill B. Fidelity review: a scoping review of the methods used to evaluate treatment fidelity in behavioural change interventions. Phys Ther Rev. 2016;21:207-214. [Google Scholar]
- 6. Wiens N, Gordon RL. The case for treatment fidelity in active music interventions: why and how. Ann N Y Acad Sci. 2018;1423:219-228. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 7. Robb SL, Burns DS, Carpenter JS. Reporting guidelines for music-based interventions. J Health Psychol. 2011;16:342-352. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 8. Bradt J. Randomized controlled trials in music therapy: guidelines for design and implementation. J Music Ther. 2012;49:120-149. [DOI] [PubMed] [Google Scholar]
- 9. Robb SL, Hanson-Abromeit D, May L, et al. Reporting quality of music intervention research in healthcare: a systematic review. Complement Ther Med. 2018;38:24-41. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 10. Baker FA, Tamplin J, Clark IN, Lee YEC, Geretsegger M, Gold C. Treatment fidelity in a music therapy multi-site cluster randomized controlled trial for people living with dementia: the MIDDEL project intervention fidelity protocol. J Music Ther. 2019;56:125-148. [DOI] [PubMed] [Google Scholar]
- 11. Robb SL, Burns DS, Docherty SL, Haase JE. Ensuring treatment fidelity in a multi-site behavioral intervention study: implementing NIH Behavior Change Consortium recommendations in the SMART trial. Psychooncology. 2011;20:1193-1201. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 12. Robb SL. The effect of therapeutic music interventions on the behavior of hospitalized children in isolation: developing a contextual support model of music therapy. J Music Ther. 2000;37:118-146. [DOI] [PubMed] [Google Scholar]
- 13. Ryan RM, Deci EL. Self-Determination Theory: Basic Psychological Needs in Motivation, Development, and Wellness. Guilford Publications; 2017. [Google Scholar]
- 14. Freedland KE, King AC, Ambrosius WT, et al. The selection of comparators for randomized controlled trials of health-related behavioral interventions: recommendations of an NIH expert panel. J Clin Epidemiol. 2019;110:74-81. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 15. Russ KA, Holochwost SJ, Perkins SM, et al. Cortisol as an acute stress biomarker in young hematopoietic cell transplant patients/caregivers: active music engagement protocol. JACM. 2020;26:424-434. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 16. Robb SL, Clair AA, Watanabe M, et al. A non-randomized [corrected] controlled trial of the active music engagement (AME) intervention on children with cancer.. Psychooncology. 2008;17:699-708. [DOI] [PubMed] [Google Scholar]
- 17. Robb SL, Haase JE, Perkins SM, et al. Pilot randomized trial of active music engagement intervention parent delivery for young children with cancer. J Pediatr Psychol. 2017;42:208-219. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 18. Robb SL. Coping and chronic illness: music therapy for children and adolescents with cancer. In: SL Robb, ed. Music Therapy in Pediatric Healthcare: Research and Evidence-Based Practice. Vol. 2003. American Music Therapy Association; 2003; 101-136. [Google Scholar]
- 19. Skinner EA, Wellborn JG. Coping during childhood and adolescence: a motivational perspective. In: Featherman DL, Perlmutter M, eds. Life-Span Development and Behavior. Lawrence Erlbaum; 1994, 91-133. [Google Scholar]
- 20. Skinner EA. Perceived Control, Motivation, and Coping. Vol. 8. SAGE; 1995. [Google Scholar]
- 21. Skinner EA. Action regulation, coping, and development. In: Brandtstadter J, Lerner RM, eds. Action & Self-Development: Theory and Research Through the Life Span. SAGE; 1999;465-503. [Google Scholar]
- 22. Compas BE, Connor-Smith JK, Saltzman H, Thomsen AH, Wadsworth ME. Coping with stress during childhood and adolescence: problems, progress, and potential in theory and research. Psychol Bull. 2001;127:87-127. [PubMed] [Google Scholar]
- 23. Hildenbrand AK, Clawson KJ, Alderfer MA, Marsac ML. Coping with pediatric cancer: strategies employed by children and their parents to manage cancer-related stressors during treatment. J Pediatr Oncol Nurs. 2011;28:344-354. [DOI] [PubMed] [Google Scholar]
- 24. Robb SL. Designing music therapy interventions for hospitalized children and adolescents using a contextual support model of music therapy. Music Ther Perspect. 2003;21:27-40. [Google Scholar]
- 25. Ginsburg KR. The importance of play in promoting healthy child development and maintaining strong parent-child bonds. Pediatrics. 2007;119:182-191. [DOI] [PubMed] [Google Scholar]
- 26. Flohr JW. Musical Lives of Young Children. Prentice Hall; 2005. [Google Scholar]
- 27. Jacobsen SL, McKinney CH, Holck U. Effects of a dyadic music therapy intervention on parent-child interaction, parent stress, and parent-child relationship in families with emotionally neglected children: a randomized controlled trial. J Music Ther. 2014;51:310-332. [DOI] [PubMed] [Google Scholar]
- 28. Nicholson JM, Berthelsen D, Abad V, Williams K, Bradley J. Impact of music therapy to promote positive parenting and child development. J Health Psychol. 2008;13:226-238. [DOI] [PubMed] [Google Scholar]
- 29. Kazak AE, Baxt C. Families of infants and young children with cancer: a post-traumatic stress framework. Pediatr Blood Cancer. 2007;49:1109-1113. [DOI] [PubMed] [Google Scholar]
- 30. Harris PA, Taylor R, Thielke R, Payne J, Gonzalez N, Conde JG. Research electronic data capture (REDCap)—a metadata-driven methodology and workflow process for providing translational research informatics support. J Biomed Inform. 2009;42:377-381. [DOI] [PMC free article] [PubMed] [Google Scholar]
- 31. Mowbray CT, Nicholson J, Bellamy CD. Psychosocial rehabilitation service needs of women. Psychiatr Rehabil J. 2003;27:104-113. [DOI] [PubMed] [Google Scholar]
- 32. O’Malley KA, Qualls SH. Application of treatment fidelity in tailored caregiver interventions. Aging Ment Health. 2020;24:2094-2102. [DOI] [PubMed] [Google Scholar]
- 33. The American Cancer Society. Acute lymphoblastic leukemia (ALL). The American Cancer Society; 2018. [Google Scholar]
- 34. Henley AK, Collier E, Robertson K, et al. Music therapist experiences of a randomized controlled trial as clinician researchers. J Music Ther. 2020;57:315-352.Uncepsentis. [DOI] [PMC free article] [PubMed] [Google Scholar]